BEYOND Expo 2024: Macau’s Spectacle of the Latest Flying Cars, Gaming Consoles, Smart Wearables, and More

When it comes to international tech conferences, the notable ones that come to mind are usually Las Vegas’ CES, Lisbon’s Web Summit, and Paris’ VivaTech. On the other side of the world, Macau also has ambitions to join this prestigious list with BEYOND Expo. This year, the conference is in its fourth edition, with the theme being “Embracing the Uncertainties.”


Macau, also known as the “Las Vegas of Asia,” appears to be well-suited for this scale of event with its generous spaces and plethora of entertainment — so much that citizens from nearby cities often visit here for concerts, if not just a staycation at one of the several resorts. And of course, being in the heart of China’s Greater Bay Area, this ex-Portuguese colony is just a quick trip away from the electronic supply chain in Shenzhen. Not to mention that another vibrant city — Hong Kong — is just a bridge or ferry ride away, should travelers want to make the most out of their stay.


The "Inception Startups" area sponsored by NVIDIA.

AI² Robotics at Beyond Expo 2024.


BEYOND Expo is already well under way, with the organizer expecting more than 20,000 attendees over the three-day event. Amongst these faces will be some 500 investors and 300 media representatives from around the world. The exhibition hall at The Venetian Macao features over 700 exhibitors, with the stages hosting more than 250 speakers to cover topics including AI, transportation, sustainability, health tech, and more.


The biggest star at BEYOND Expo 2024 — if you exclude David Beckham, who did a whirlwind tour on day one — is undoubtedly CATL, which is the leading global battery supplier for electric vehicles. The timing couldn’t be more perfect, as only a month ago, the firm announced a lithium battery that offers a whopping 1,000 km range — more than doubling that of many existing electric cars. CATL’s founder, chairman, and CEO Robin Zeng also hosted the opening keynote alongside BEYOND Expo co-founder, Jason Ho.


CATL showcasing its latest Shenxing Plus battery for electric vehicles.

Beyond Expo co-founder Jason Ho chats with CATL founder, chairman, and CEO Robin Zeng.


Just around the corner from CATL, Xpeng AeroHT has returned to the show with an even slicker-looking concept flying car, which is joined by Aerofugia’s hulking aircraft, WeRide’s autonomous “Robobus,” and Tesla’s latest cars (including the wild-looking Cybertruck) at neighboring booths.


Xpeng Aeroht's concept eVOTL flying car at Beyond Expo 2024.

Aerofugia's AE200 X01 joins Beyond Expo for the first time.

WeRide's autonomous Robobus at Beyond Expo 2024.

Tesla exhibits at Beyond Expo for the first time.

GAC's latest electric cars at Beyond Expo 2024.


Many other familiar faces are back as well. The NBA set up yet another spacious booth to showcase its LED basketball court and “NBA Box” VR booths. Nothing Technology, along with founder and CEO Carl Pei, are here with their latest ChatGPT-enabled wireless earbuds and smartphones. French entrepreneur Laurent Le Pen is also present with his Omate smartwatches and Oclean smart toothbrushes, with the bonus being the debut of his transparent sapphire smart ring at the conference. Keyi Technology’s adorable ClicBot and Loona companion robots can be found entertaining the crowd on the show floor as well, but this time with more emphasis on their ChatGPT integration.


NBA's booth at Beyond Expo 2024.

NBA Box VR stands.

Nothing Technology exhibits at Beyond Expo for the second time.

Omate surprises with the launch of its transparent smart ring at Beyond Expo 2024.


While BEYOND Expo doesn’t have a dedicated gaming section, Hong Kong’s Nex is here to show off its latest motion-tracking console, the Playground, which proved to be a hit with young students who attended the convention this morning. We’ll be talking to founder and CEO David Lee to hear more about his entrepreneurship, how the Nex Playground picks up where Microsoft’s Xbox Kinect left off, and how he splits his operation between China’s Greater Bay Area and the US’s Bay Area.


The Nex Playground is a family gaming console with motion tracking.


As part of its increased international efforts, BEYOND Expo 2024 sees the addition of the Asia-Latam Tech Forum and Japan Tech Forum. The latter, in the presence of the Consul-General of Japan in Hong Kong, Ambassador Okada Kenichi, features heavyweights such as Sony, Fujifilm, and Asahi Kasei to highlight their local arms’ contribution to Chinese society.


Head of Sony R&D Center China, Mr. Takenaka Mikio, highlights his team's mission at Beyond Expo 2024.

Japanese companies at Beyond Expo 2024.


BEYOND Expo 2024 runs from May 22 to May 25, with international superstar Jackson Wang hosting the wrap party in the final evening. Stay tuned on RADII for more coverage of the event.


All images by Richard Lai.

The Story of Malaysia’s First National Car Brand, Proton

“What are these cars? They look different… haven’t seen them before,” my British friend said with an inquisitive tone as we stepped out of the entrance at Kuala Lumpur International Airport (KLIA). She wasn’t wrong. They looked different for sure, strange almost, to the foreign eye, especially for someone visiting Malaysia for the first time. The brand in question was Proton, Malaysia’s first automobile manufacturer.


As ubiquitous as nasi lemak (coconut milk rice, Malaysia’s national dish), Proton cars are on roads all over the country. From the congested thoroughfares of Kuala Lumpur to the scenic highways lining the coast of the eastern state of Terengganu, they’re literally everywhere.


However, for the uninitiated, like my friend, the word “Proton” conjures images of atomic particles, not sedans and hatchbacks. So, here’s the story of Proton — it’s one that’s chock- full of high highs and low lows, and, for the time being, wraps up with a surprising connection to China and the ongoing EV revolution.

The Origin

The year was 1979 and then Prime Minister Dr Mahathir Mohamad had a vision to keep car manufacturing in Malaysia and circumvent the country’s reliance on imported vehicles. Through this grand ambition, he hoped to position Malaysia at the forefront of Southeast Asian industrialization.


It was simply dubbed the “National Car Project.” Proton—the Malay backronym for Perusahaan Otomobil Nasional (National Automobile Enterprise)—was created in May 1983 to drive the momentous project.


Due to the lack of infrastructure and expertise, Proton first collaborated with Japanese giant Mitsubishi Motors to get things rolling. While Mitsubishi provided designs and technologies, Proton handled manufacturing, staying committed to the ethos of keeping manufacturing Malaysian.

The First Car

Saga

Image via Proton.


Launched in 1985, the first Proton car was fittingly named the Saga. Interestingly, the name was crowdsourced from the Malaysian public and the winning entry came from a Scrabble game! An air of coolness and intrigue aside, “Saga” stood for the abbreviation Safety, Achievement, Greatness, and Ability.


Modeled after the Mitsubishi Lancer Fiore, the Saga had all the hallmarks of a modern 1980s sedan; a boxy, almost Brutalist, body kit, rectangle lights, and a workhorse engine for day-to-day driving.


Most importantly, it was affordably priced at RM17,000. That’s about USD3,600. For context, the current basic Proton model starts at RM35,000 (about USD7,500). A substantial price hike, but still an affordable choice for white-collar Malaysians in the current economic climate.


Driven by a wallet-friendly price, adequate features, and national pride, the Saga sold well. A litmus test gone right, the model proved that Proton was a feasible venture and Malaysians were positive about its future. The beginning of a new saga, if you will.

New Models

Proton New Models

Image via PistonHeads.


The years after the launch of the Saga were experimental and exciting for Proton. In 1993, it launched the Wira, which means “hero” in Malay. Departing from the signature angular shape of the Saga, the Wira was inspired by the 1991 Mitsubishi Lancer and came equipped with electric windows and a Proton-designed dashboard.


Five years later, Proton took a gamble with the Proton Satria GTi, its first foray into high-performance cars. Decked out in a head-turning sporty body kit and high torque engine, the hatchback was as much a cruiser as it was a speed demon.


However, the real breakthrough for Proton was in 2004. More than two decades after the Saga, it finally had the technology and experience to create a vehicle without Mitsubishi, which would eventually conclude its involvement in Proton in 2005. The car was Gen 2, an abbreviation for “Generation 2” to signify the ushering of a new era for the company — but unfortunately, it was short-lived.

Downturns and Acquisition

Proton X70

Image via Proton.


A slew of headwinds hit Proton between 2013 and 2016. Tax adjustments, changing consumer habits, and stiff competition shrunk its market share, eventually costing its pole position in 2013 as the nation’s top automaker to Perodua, a national rival backed by Daihatsu Motor. To put this into perspective, Proton’s share in 2016 was just 12%, after selling only about 72,000 cars that year.


Proton needed a lifeline fast and Chinese automotive giant Geely was quick to throw one over. In 2017, Geely bought 49.9% of Proton from parent company DRB-Hicom, ensuring a revamp of the national car brand without stripping its core Malaysian identity.


Naysayers were quick to doubt Geely’s promises, voicing their disappointments over the support of a foreign investor in a legacy homegrown brand. Nevertheless, it appeared that Geely kept to its word with the launch of the X70 in 2018.


The X70 looks different yet familiar. Despite lifting off most of the engine components and exterior styling from the Geely Boyue, the Proton design team took creative liberties to incorporate Malaysian heritage to differentiate the X70 from its Chinese counterpart. For example, the grills and speaker covers reflect the interwoven pattern apparent in Malaysian woodwork.


Fast forward to the present, and Proton closed out 2023 with its strongest performance since 2012. Beyond that, it plans to unveil an affordable EV range in 2025.


Banner image via Malay Mail.





Gritty Rap Hit “Factory” puts China’s Smaller Cities on the Map

When was the last time you cried because of a song? For many young Chinese music fans, the answer would be the beginning of May, when a 27-year-old rapper named Zhang Fangzhao sang a song titled “Factory” on the rap competition show The Rap of China.


The song chronicles decades of changes in his hometown of Jiaozuo in Henan province. Though rich in natural resources such as coal, the central Chinese province is underdeveloped compared to its coastal neighbors — and its residents are often mocked for a supposed lack of sophistication. In the past century Jiaozuo has gone through industrialization, which was accompanied by pollution, and then followed by mass layoffs. A lack of opportunities in Jiaozuo and other similar small cities has led youth like Zhang to head to big cities. Yet despite their families’ high expectations, once they venture out of their hometowns, they can find themselves discriminated against as “farmers” and country bumpkins, wracked with self-doubt, and facing poverty.


These themes all went into “Factory.” When Zhang performed the song on The Rap of China reception was mixed at first. While some praised his poetic style and emotional depth, others criticized his acapella vocals as being out of tune.



However, the official music video for song, released shortly after the show, silenced doubters with its bleak visuals and sorrowful melody, resonating with many who appreciated its depth and authenticity. Erdi, a Mandarin music influencer, reposted the video, and commented: “A lot of people complained about this song in the show. Listen to this studio version: how beautiful and sad, this sparkling guitar, this dreamy and deep synth, you will understand that he has built his own moving vision in the rough countryside and the harsh factory. If you can’t escape the characteristics and feelings of your origins and roots in your native place, then use art and creativity to set off fireworks there.”


By May 12, the video had garnered 4 million views on Weibo, striking a chord with listeners who shared similar experiences and emotions. Many expressed shame in revealing their Henanese backgrounds due to stigma and stereotypes. Others were also moved by its focus on real life in China, particularly how it draws attention to farmers’ lives. As one listener expressed, “[It] made me cry… Nowadays many songs tend to tell beautiful stories of life, which sound cheesy and empty sometimes. Especially rappers who love showing off houses, watches, and cars. This song sheds light on a marginalized group — farmers — who are the most neglected but essential.”


Zhang’s conflicted attitude towards his hometown — between shame and pride — may be the key to decoding the song. Zhang and others with similar backgrounds are attached to their hometowns, but also yearn to get away. Zhang has now dubbed himself “The God of Henan Rap,” to let everyone know where he came from and dispel misunderstandings about Jiaozuo and his home province.


In his words, “My roots are here, no matter where I go, I will always belong here, so I need to protect it in my own way. Deep down, I still hope it can be better.”


Banner image via Dingxingwen.

Chinese Filmmakers Are Back in a Big Way at This Year’s Cannes Film Festival

After a few years a bit farther from the spotlight than usual, Chinese filmmakers returned to Cannes Film Festival in a big way this year. This year’s edition, which got started on May 14 and runs until Saturday, May 25, features films by directors Jia Zhangke (Caught by the Tides), Peter Chan (She’s Got No Name), Lou Ye (An Unfinished Film), Soi Cheang (Twilight of the Warriors: Walled In), and Guan Hu (Black Dog).



As one of the giants of Chinese cinema, Jia Zhangke’s participation is especially significant. Caught by the Tides is comprised of improvised footage filmed by Jia over almost a quarter century with his regular crew of collaborators. Following a loose narrative in which a woman played by actress Zhao Tao chases her lost lover, the film also inevitably records the enormous changes China has gone through since filming began in 2001. Screening in Cannes’ main competition, the film has been a hit with critics so far, and may well be a strong contender for a prize at the end of the festival.


Screening out of competition in the Midnight Screenings genre sidebar, Soi Cheang’s Twilight of the Warriors: Walled In was met with a rave response, gaining a standing ovation last Thursday. The 1980s-set martial arts thriller takes place in Kowloon Walled City, an extremely densely populated enclave in Hong Kong that was a hotbed for organized crime until it was demolished in the early 1990s. Featuring Hong Kong stars Louis Koo, Sammo Hung, and Raymond Lam, the film has generated major excitement for its frenetic action scenes and how it showcases local history and culture.



Also of note is Peter Chan’s She’s Got No Name, in which megastar Zhang Ziyi plays a housewife accused of the murder of her husband in 1940s Shanghai. The film’s plot is based on a real case, which ignited debates on domestic violence and women’s rights long before these topics were commonly discussed in China.


Beyond potential critical claim, the festival also offers a chance for Chinese films to bought for international distribution at the Marché du Film. Festival prizes will be announced on May 25.


Banner image from Twilight of the Warriors: Walled In, via Festival de Cannes.

Shanghai Hosts Olympics Qualifiers for Urban Sports Following F1 Race

Last weekend Shanghai followed up its recent F1 race with the first multi-sports qualifier series in Olympics history. “Break. Climb. Skate. Ride” was the slogan of the day as breaking, sport climbing, skateboarding, and BMX freestyle qualifiers got underway in Huangpu Riverside. 464 athletes (including 18 previous Olympic medalists) and 552 journalists and broadcasters were invited for the festival-style event.


The qualifiers were just the latest indication of the rising profile of these sports in China. Breaking, sport climbing, skateboarding, and BMX freestyle are not exactly conventional sports that average Chinese parents would sign their children up for. On the contrary, some Chinese may even find these sports to be extreme or dangerous in nature. Their inclusion at the Olympics (breaking will make its Olympic debut in Paris, while the other sports were featured for the first time at Tokyo 2020), however, seems to have nudged urban sports out of the underground and into the mainstream in China. For example, Chinese skateboarding coach Tian Ruxin has noted that after skateboarding attained Olympic status, she observed an increase in younger Chinese children practicing the sport because the Chinese community started to value skateboarding more.



The qualifiers included a “sports initiation” section that gave budding athletes the chance to try these urban sports. Gu Weifang, head of the “initiation” section, commented “With the International Olympic Committee placing such a distinguished tournament in Shanghai, [I] hope that these four contemporary sports and their vigor can be promoted among Shanghai youths.”


Indeed, the venue rocked the five Olympic colors in bold, youthful designs. Climbing walls were dramatically framed by Shanghai’s skyscrapers, and the skate park was playfully decorated with prime colors. At the souvenir shop, young Chinese fans snatched up limited edition pins, caps, and skateboards. A nearby post office even featured Olympic stamps and custom postcards, which sold out on the first two days of the qualifiers.


China’s Sun Sibei and Yafei Zhou topped the podium in women’s BMX freestyle and women’s speed climbing, respectively. Qualification continues in Budapest from June 20th to 23rd.


Cover image of Australian’s Arisa Trew via Olympic Information Service.

Amanda Nguyen Wins L’Officiel’s Women of Our Time Award

On May 7th, 19 winners of L’Officiel Vietnam’s 2024 Women of Our Time award gathered at the Hilton Saigon. Amongst these 19 Vietnamese-origin female leaders from the worlds of business, fashion, art, and more, Amanda Ngoc Nguyen cannot be overlooked. Arriving in a traditional Ao Dai hat embellished with beaded strings and an outfit from designer Tuong Danh, Amanda Nguyen showed up not only as a fashionista but also as the pride of Vietnam and women around the world.


Growing up as Vietnamese American whose refugee mother used celestial navigation to escape to the United States, Nguyen always dreamt of becoming an astronaut. However, her journey was interrupted by a sexual assault in her last semester at Harvard in 2013. Realizing the injustice that her rape kit could be destroyed after six months if she did not file an extension request, Nguyen would take years of her life advocating for the passage of the Survivor’s Bill of Rights Act (signed into law by President Obama in 2016) and the United Nations Universal Survivor Bill of Rights, passed in 2022. For her achievements, she was previously honored as one of TIME’s Women of the Year in 2022 and nominated for the 2019 Nobel Peace Prize.


What L’Officiel, a prestigious French fashion publication, has recognized Nguyen for is the often overlooked facets of her story: her love of fashion, her role as an astronaut, and her Vietnamese heritage.


Combining activism with fashion, Nguyen introduced the inaugural Survivor Fashion Show during New York Fashion Week in 2021. This groundbreaking event aimed to reframe the victim-blaming question often posed to sexual assault survivors: “What were you wearing?” Nguyen believes that “fashion is an expression of personal identity — something essential rather than frivolous.” Her choice to wear a traditional Vietnamese Ao Dai at the first Survivor Fashion Show added to the event’s impact, her white dress adorned with dramatic, draped long sleeves showcasing the Survivor’s Bill of Rights Act.


undefined

Nguyen’s Ao Dai during the 2021 Survivor Fashion Show. Image via The New York Times.


This dress not only represented an American milestone but also Nguyen’s love for her community. Yet, it was not always this way. She admitted that as a minority in the US, her Vietnamese identity was once her “enemy.” But over time, her perspective on her Vietnamese identity has changed. She now sees her family’s immigration journey as a source of pride. In an interview with ABC news, Nguyen expressed that “[her family] swam so [she] can fly” and “[she is] the dreams of [her] ancestors.” When Nguyen heads for space at 2024’s Blue Origin launch, she hopes that “young Vietnamese women can see themselves among the stars… I may be the first, but I won’t be the last.”


Banner image via L’Officiel.