Anti Asian-American Violence is on the Rise, Again. Here’s How You Can Help

Editor’s note: This article was originally published on February 14. That it continues to be relevant only serves to emphasize the point that this wave of violence is ongoing and that action urgently needs to be taken. The information on what you can do has been updated slightly to reflect new initiatives where appropriate.

Months before the United States experienced its first cluster of Covid-19 cases, Asian-Americans were suffering the brunt of racist attacks over the perceived origins of what eventually became a global pandemic. Now, one year on, the US is seeing a sudden and shocking uptick in violence against Asian-Americans.

In late January, an 84-year-old Thai-American was shoved to the ground outside his Bay Area apartment complex, and later died from the injuries he sustained. The following week, a number of other elderly Asians were victims of attacks that ranged from robberies to similarly senseless violence, including a Filipino man in New York who was slashed across the face.

The incidents are the latest wave in a major rise in hate crimes committed against Asian-American since the beginning of 2020. A recent UN report tied it to former US President Trump’s appearance of validating bigotry, “exacerbating prejudice and discrimination” by — amongst other actions — continuing to call Covid-19 the “China virus.”

The Oakland Chinatown Chamber of Commerce has tallied over 20 incident reports by Asian business owners and customers being assaulted. “I think it would be even higher,” organization President Carl Chan told ABC News, “But victims are not willing to report incidents” out of fear that nothing will be done.

A video of a 91-year-old who was also violently shoved to the ground in Oakland prompted actors Daniel Wu and Daniel Dae Kim to offer a 25,000USD reward for whomever could identify the attacker. A suspect has since been arrested for that crime and other similar attacks on Asians.

Meanwhile, frustrated by the lack of protection to members of their community, several volunteers have already organized to start patrolling streets in Chinatown communities.

But bounties, calls for increased public security, and remarks such as Oakland Mayor Libby Schaaf’s blaming of the attacks on defunded police, have stirred up conversations on racial profiling, the tense history between Asian and Black communities, and intersectionality.

Oakland Councilwoman Michelle Fife argued that massive rewards for arrests have “put a bounty on Black men’s heads.” John C. Yang, President of Asian Americans Advancing Justice told NBC, “We worry about over-criminalization of communities.”

Instead, several community organizations have been coming together to bridge divides and heal interracial trauma.

Several prominent voices in Black Anti-Racism have stood up in solidarity with Asian-Americans, including rapper Lupe Fiasco and television host W. Kamau Bell.

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“In the wake of George Floyd’s murder, there’s just a lot of talk of how we come together,” said Bell in a recent conversation with Daniel Wu for ABC.

“And I understand that part of that is coming out of quote-unquote ‘our lane.’ […] I felt like I want to let them know and the broader community that I stand with them. I don’t speak for them, but I stand with them.”

Bell, as well as organizations such as Asian Americans Advancing Justice and AAPI Women Lead, have called for community-based solutions.

What You Can Do

Activist Michelle Kim has outlined several initiatives anyone can take to help move forward, including “interrupt anti-Asian racism and anti-Black racism,” and “invest in community-based interventions.” We thoroughly recommend you read Kim’s post and its suggested actions in full.

In an article on the rise in hate crimes, Upworthy highlights a range of ways to help combat such incidents. “Get to know AAPI members of your community and listen to their concerns. Raise awareness by following and sharing the hashtag #StopAAPIHate on social media. Speak out about AAPI hate crimes and share positive stories about people from the AAPI community as well,” the piece implores.

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That same article also points to Hollaback, that describes itself as “a global, people-powered movement to end harassment,” and the National Coalition for Asian Pacific American Community Development (a coalition of more than 100 organizations advocating for AAPI communities), as among those you can consider donating to.

There’s also this call for a national day of action in the US:

For more on how individuals are taking a stand against anti-Asian discrimination and supporting AAPI communities in the US, you can read our special Edition on RADII.co.

Cover photo: Cindy Trinh

New Edition: What Sex and Love Mean to the Next Generation

This Valentine’s Day, we’re exploring the matters of love. Specifically, what it means to young people in China, and how they navigate sex, romance, and relationships at every stage in their lives.

Do young people frequent sex shops? Are male or female university students more open to romance? Why did a pandemic kick off a wave of new divorces? And during Lunar New Year holidays — which start this week before the Year of the Ox — what’s the question most young singles still dread?

All these questions and more are explored in our latest Edition, “Young Love” — only on RADII.co.

About RADII.co

RADII.co is a new mobile experience from RADII — a faster, more intuitive way to keep up with the fastest moving country in the world.

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Check back weekly for our latest Editions — curated collections of stories designed to prime you on an essential topic or issue that affects young people today — and Short Reads, your radar for bite-sized news and trends.

Header image: Mayura Jain

Who is the Mystery Woman in Wang Yibo’s Accidental Reflection?

Wang Yibo — actor, motorcycle driver, and all-around heartthrob — caused an unintentional stir on social media this week.

The Untamed superstar posted a picture on Oasis and Weibo of a CHANEL No.5 perfume bottle on February 3. In the aesthetic picture, he is seen wearing two rings, and upon intense scrutinization, eagle-eyed fans made out the blurred reflection of a woman in the ring.

Who is that girl I see? Staring straight, back at me… (Source: Oasis)

Speculation about the mystery woman spread quickly, as China’s infamous human flesh search engine worked to crack her identity. Wang Yibo’s team had no choice but to issue an official statement.

“The picture shared by Mr. Wang Yibo on Oasis and Weibo simultaneously today was taken by a staff member at a routine work site,” the post read. It went on to clarify that “the reflection shown in the ring is also of a staff member at the event.”

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Wang’s team also pleaded with netizens to “respect facts, not distort the truth, and not over-interpret it.”

This isn’t the first time that Wang’s fans have brought him trouble. Last year, the star’s team had to issue a statement after fans installed trackers on one of the actor’s cars.

Wang’s team stepped in again when fans mass-rated his work with five stars across Douban, and is pressing charges against a “woman with a history of mental illness” who filed a false police report against the actor.

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Featured image: Legend of Fei

China’s Foreign Ministry Accidentally Lodges Complaint Over Wu-Tang T-Shirt

China’s Foreign Ministry was left holding the stick this week, having misinterpreted the punchline of a particularly intercultural graphic tee.

In a press conference, a journalist from state-funded news outlet The Paper asked officials about staff members at the Canadian Embassy in Beijing, who had apparently been photographed wearing T-shirts with images of a “Wuhan bat” design.

“We have also taken notice,” said Wang Wenbin, the ministry’s spokesperson. “Covid-19 is the common enemy of mankind. Both the WHO and the international community clearly oppose the association of the virus with specific countries.”

“Those involved are acting seriously inconsistent, deviating from the stance of Canada’s government,” he concluded. “The Chinese side is shocked by this and has lodged stern representations with the Canadian Embassy in China, demanding that the Canadian side immediately thoroughly investigate the incident and give China a clear explanation.”

Yikes. The only problem? There was no “Wuhan bat” design.

The design was, in fact, a play on the logo of seminal hip hop group Wu-Tang Clan.

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Blogger Zhou Xiaoping wrote up the story in Mandarin — not only were staff at the Canadian Embassy wearing the shirts, but they had custom-ordered the clothing themselves.

“The T-shirt logo designed by a member of the embassy shows a stylized W, and is not intended to represent a bat,” said a spokesperson for Canada’s foreign service. “It was created for the team of embassy staff working on repatriation of Canadians from Wuhan in early 2020. We regret the misunderstanding.”

It should be noted, other variations of this joke are making the rounds online, and some of them do include xenophobic bat imagery. But it’s not surprising that a room of aging diplomats may have failed to fully grasp those details.

On Chinese social media platform Weibo, some commenters were up in arms over the perceived sleight. But on Twitter, it was a different story, as users delighted in the moment of cultural disconnect.

100 Films to Understand China: China Today

The list below is part of RADII’s 100 Films to Understand China.

China Today

With a new wave of young and passionate directors bringing increasingly important topics to the fore, as well as the presence of new formats and powerhouses within the film industry (such as production companies with their own streaming platforms, like Tencent Pictures and Baidu-backed iQIYI), the cinematic landscape in China has changed dramatically over the past five years.

At the same time, things have a way of staying the same. Patriotic blockbuster films still dominate, censorship has been a more prominent obstacle for directors to navigate and the country is still chasing a true breakout global hit.

Here are ten films reflecting a representative cross-section of contemporary mainland Chinese cinema.

Wolf Warrior 2 (Wu Jing, 2017)

Wolf Warrior 2 stunned the market by doing 5.679 billion RMB (over 800 million USD) upon its release during the Chinese New Year holiday season in 2017. It single-handedly changed the market, marking the beginning of a domestic boom. Theme-wise, Wolf Warrior 2‘s “Chinese Rambo saves the day in unnamed African nation” plot puts it squarely in the category of zhuxuanlu — a genre sitting somewhere between patriotic and propagandistic.

Peter Shiao, CEO and founder of Immortal Studios: A “Bad Movie” that is concurrently pivoting towards a zhuxuanlu style. This film depicts the Chinese as virtuous and powerful on a global stage in need of a new hero.

WATCH IT Amazon Prime

Girls Always Happy (Yang Mingming, 2018)

An early film from one of China’s most exciting young directors, and a movie that has been repeatedly compared to Greta Gerwig’s Ladybird, but with more emotional impact. Girls Always Happy reflects a warts-and-all mother-daughter relationship.

Karin Chien, film producer and distributor at dGenerate Films: Girls Always Happy is a revelation by one of the most exciting new voices in cinema today. Watching the film for the first time, I found myself gasping out loud and having to catch my breath. I have never seen a mother-daughter relationship written and portrayed with such brutal honesty and utter relatability. Yang Mingming is an absolutely fearless director. This is the movie Ladybird could have been. I look forward to watching everything she makes!

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Dying to Survive (Wen Muye, 2018)

The fascinating real story of a Chinese leukemia patient who smuggled unproven medicine from India into China for 1,000 cancer patients. The film garnered comparisons to Dallas Buyers’ Club and was part of a wave of realist, socially conscious films that came out around the time of its release.

Jason Lin, former executive at Alibaba Pictures: The film’s success and its socially conscious or social justice message represented polarizing points. On the one hand, the audience fully supported and appreciated the film and story. However, the level of breakout success may have put unwanted additional attention on the practices of the pharmaceutical industry. This issue is not just in China and exists with the pharmaceutical industry worldwide.

Peter Shiao: This film examines the vast inequities in daily life that the average person must deal with in China. In this case, cancer patients and their travails against a system that does not allow them to access the drugs they need to survive their condition.

WATCH IT Amazon Prime

Long Day’s Journey Into Night (Bi Gan, 2018)

The director of Long Day’s Journey Into Night, Bi Gan, might be the most experimental and interesting director in China today. His first film, Kaili Blues, was a revelation, using a 41-minute long shot. Long Day’s Journey Into Night provided more talking points, initially perplexing Chinese viewers, who were not expecting a dark, moody noir film, but rather a classic romance. The film went one step further than Kaili Blues, making use of a 59-minute long take.

Samantha Culp, writer, curator and producer: This is the first 3D film I have ever cared about, and could be the last — it will be near impossible for anything to top it. Yes, its characterization is thin and opening half is molasses-slow — but that’s ultimately all on purpose, lulling the audience into a near-REM state to be prepared for the second half, a 59-minute unbroken single take filmed in 3D that floats through and around a nighttime village in ruins as a noir-ish antihero searches for a mysterious woman. Besides being technically brilliant, the sequence may capture the dislocated experience of late 2010’s reality (in China and elsewhere) better than any other — the suspended logic of a dream.

WATCH IT Amazon Prime

The Shadow Play (Lou Ye, 2018)

Having courted more than his fair share of controversy throughout his career, with his first two films, Weekend Lover and Suzhou River, banned in China, Lou Ye’s stature as a probing, uncompromising director has never been in doubt. The Shadow Play, his ninth film, is an interesting blend, with the lead character seeking out the truth behind a brutal death, and uncovering a web of conspiracy, against the steamy backdrop of South China.

Muhe Chen, filmmaker: A very Lou Ye-style movie scripted from a real story about a murder caused by a conflict between a real estate investor, his government partner, and their spouses. The story, in my view, is an epitome of the distorted psychological landscape under corruption and morbidly-developing capitalism in China, but Lou Ye narrates it with a very romantic touch.

WATCH IT Mubi

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Send Me to the Clouds (Teng Congcong, 2019)

This excellent debut from Teng Congcong tackles a number of topics often avoided in Chinese cinema, such as sex and the phenomenon of “leftover women” (unmarried women over the age of 30), with the lead diagnosed with cancer at the outset of the film, before taking on a businessman’s biography writing job and hiking into the mountains, where arguments, assholes and, ultimately, romance, await.

Yalin Chi, Cheng Cheng Films: Diagnosed with ovarian cancer, iron-willed journalist Sheng Nan is pressured to make a quick fortune and find mind-blowing sex before a costly surgery numbs her senses. As deeply moving as it is luminously witty, writer-director Teng Congcong’s debut waltzes across the bitterness swallowed by her generation of women born under China’s One Child Policy, burdened to “surpass men” while trying not to be leftover women at the same time.

(NOTE: Yalin works for the North American distributor of the film.)

WATCH IT Amazon Prime

Better Days (Derek Tsang, 2019)

Better Days was one of a relative flurry of sudden releases at the tail-end of 2019 that had previously been pulled from cinema schedules with little notice over the course of the year (see also: Diao Yinan’s Wild Goose Lake and Feng Zu’s Summer of Changsha). The film saw TFBoy Jackson Yee put in a stellar performance alongside increasingly bankable star Zhou Dongyu, playing a street savvy thug and bullied schoolgirl, respectively.

Yalin Chi: The award-winning team behind 2016 romantic drama Soul Mate dramatizes Chinese high schoolers’ experiences of on-campus bullying and the Gaokao, a controversial cut-throat national exam but also an irreplaceable selection system that gives equal chances to students from China’s disparate social-economic backgrounds. The film points out that the real pressure on teenagers don’t come from their peers, but is passed down by adults in dysfunctional families and a hierarchical society.

WATCH IT Amazon Prime | Netflix

The Wandering Earth (Frant Gwo, 2019)

China’s answer to all those “the US saves the world” Hollywood blockbusters, The Wandering Earth was a gigantic hit at home and drew considerable interest internationally amid numerous headlines about “the birth of Chinese sci-fi.” It may not have been the first Chinese sci-fi film, but the movie’s runaway box office success did ensure a slew of new sci-fi content in China (some of it terrible), as well as a rush to adapt anything ever written by Hugo Award-winning author Liu Cixin.

Jason Lin: The film shows the ambition of China as a country that can not only control its own destiny, but a country that can help lead the world, and even play a part in saving the world. Notably, the film was based on the novella by Liu Cixin, China’s most renowned science fiction writer.

WATCH IT Netflix

My People, My Country (multiple directors, 2019)

While many bemoaned the strict censorship of China’s film market as the 2010s drew to a close, one film that was never likely to hit such roadblocks was this tub-thumping pro-Party celebration of 70 years of the PRC. Full of big names, this was perhaps an example of CCP propaganda done relatively well, with the film striking a chord across multiple demographics.

Muhe Chen: It has a great cast and a big-name team of directors, and the reviews [were] pretty good. Different from most zhuxuanlu films about historical events, this one very much focuses on individual stories about Chinese development.

So Long, My Son (Wang Xiaoshuai, 2019)

This three-hour epic made a major splash at the Berlin Film Festival, where it premiered in 2019, picking up two acting awards. So Long, My Son is the latest cinematic masterpiece from Shanghai-born director Wang Xiaoshuai, which tackles difficult subjects like China’s One-Child Policy with a melancholic and emotional depth, tying this tragic story together with familial scenes at dinner tables and repeated refrains of “Auld Lang Syne.”

Ken Yang, director: This film, spanning 30 years, charts the joys and sorrows of a Chinese family. Imbued with a sense of the epic, the film touches on a range of social disasters in China, such as family planning and unemployment.

WATCH IT Amazon Prime

More Films to Understand China

100 films to watch

Reality Singers’ Decision to Raise Child Without Marriage Sparks Discussion on Social Media

Singers Hua Chenyu and Zhang Bichen revealed that they have a 1-year-old daughter together, and will raise the child without marriage. The news broke last Friday, in the wake of Zheng Shuang’s surrogacy and child abandonment scandal.

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Hua is one of China’s most influential singer-songwriters. Zhang is also a singer, having won The Voice of China in 2014. They initially shared the stage on the reality show Be the Idol, and were rumored to be dating in 2018.

“The arrival of this child really healed me a lot, I am very happy that the heavens brought me such a special gift,” Hua wrote on Weibo. “Although it was sudden, I am glad and we will give the child a healthy and happy environment.” Hua didn’t mention Zhang in his post.

Shortly after, Zhang confirmed the news and posted that she had given birth to the child alone in the US without Hua knowing. She said she was “dumbfounded” when she realized that she was pregnant in late 2018, and will raise the child without marriage.

“[Hua] said we should give the child a complete hukou (a legal document that records the household’s basic information),” Zhang explained. “He also said he will love the child, and give her a healthy and happy environment to grow up in.”

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On Chinese social media Weibo, the hashtag “Hua Chenyu and Zhang Bichen” quickly climbed up to the top trending position, generating 170 million views and 1.7 million comments, with many expressing disappointment in the two stars.

“I canceled Hua,” wrote a Hua fan who had followed the idol since 2013. “I wouldn’t do so if he just got married or had a kid. I don’t know how different he is on the stage and in private.”

“It’s really not sweet at all! Girls, would you please take this as a warning?” another user wrote. “When you fall in love, you must protect yourself, and you must take safety measures if you are not ready to have a child.”

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Although it’s common in many countries, China’s constitution advises against having a child outside of marriage, according to Yang Hong, a lawyer specializing in women and children’s rights.

“We should put children’s rights first,” Yang said. “No one can promise that they will remain single for the rest of their lives for the children. If they build a new family with others, it is uncertain whether these children can have a happy life.”