Watch: RADII Sells Out Debut china.wav Showcase in LA

For the better part of this year, RADII’s team invested countless hours of sweat, toil, and internetting into putting together a killer lineup of groundbreaking artists from China’s cultural underground at historic Los Angeles venue, El Cid. The result was our first china.wav event: a sold-out showcase bridging the US/China culture gap through music.

We’re still recovering from the exhilaration, but are already putting our heads together for how to double down on the enthusiasm for our next china.wav event. More on that later. In the mean time, here’s a sizzle reel capturing the hype and energy that permeated this singular event:

And here are live recordings from the four acts featured on the bill: Bohan Phoenix, Faded Ghost, MC Tingbudong, and Kai-Luen + Sara Sithi-Amnuai:

Here’s some more background on china.wav’s LA showcase, from our pre-event write-up:

RADII presents: china.wav, an exciting new event series highlighting an alternative wavelength of Chinese underground culture you never knew existed. As part of the 2019 ChinaWeek program, RADII presents four live music performances bridging the US/China culture gap through music in distinct, exciting ways.

china.wav will take over Silver Lake’s historic El Cid venue on Friday, May 3 with a multifaceted, genre-spanning image of the past, present and future of the Chinese music underground — essential listening for a sampling of the China that gets missed by the mainstream. It’s a crash course in how Western counterculture has influenced divergent forks of grassroots expression in China, and an object lesson in how we might better communicate across cultural lines through the shared language of music.

china.wav live music showcase in Los Angeles with Bohan Phoenix, Faded Ghost and more for ChinaWeek 2019

Internationally acclaimed rapper Bohan Phoenix will bring his bilingual Mandarin/English flow to the stage, coasting on the wave of a successful China tour and the release of his banging new EP, YAODE 要得. He’ll share the spotlight with Faded Ghost, the producer alias of renowned Shanghai-based singer ChaCha Yehaiyahan, fresh off her SXSW debut and a live in-studio session in New York for Red Bull Music’s Peak Time program.

The bill gets deeper and more experimental with a set by Kai Luen (a fixture in the mid-2000s Beijing hip hop scene via his beat-making alter ego Soulspeak), who will live-sample performances on trumpet and the Chinese reed instrument sheng by fellow CalArts MFA candidate Sara Sithi-Amnuai. Last but not least, NYC-based rapper and multimedia artist MC Tingbudong will drop his socially conscious Mandarin/English rhymes over experimental trap beats, building on work he began during an artist’s residency in China last year and a SXSW slot alongside Yehaiyahan this past March.

When? Friday May 3, 10pm-2am

Where? El Cid (4212 Sunset Blvd, Los Angeles, CA 90029)

Tickets for china.wav at El Cid are on sale now.

BOHAN PHOENIX

Bohan Phoenix Chinese American rapper china.wav los angeles show | RADII China

“Chinese rap star about to go global” – Dazed

Bohan Phoenix is a China-born, New York-based rapper whose bilingual flow and cross-cultural flair is building a solid bridge of understanding between rap lovers in the US and China. Bohan’s star has risen over the last two years, as he’s clocked partnerships with Beats by Dre and Fendi, placements on Spotify’s Fresh Finds and Apple Music’s Hot Tracks, media coverage from DAZED and Hypebeast, and an appearance at Hong Kong’s famed Clockenflap Music Festival.

Bohan’s past releases include tracks produced by Benji B, Ryan Hemsworth, and Chinese underground legendHowie Lee, with features from Dumfboundead and MaSiWei of breakthrough Chinese rap groupHigher Brothers. His 2018 EP OVERSEAS 海外 garnered significant press, dissecting Bohan’s experience as a multi-hyphenate, international artist building bridges and breaking down boundaries. His latest release is the March 2019’s YAODE 要得, about which Bohan says: “With this EP, I wanted to make one thing clear, if not to the world, then at least to myself: I am not like the rest of them.”

Read more: “Bohan Phoenix Injects a Dose of Reality into China’s Hip Hop Boom

FADED GHOST

faded ghost chacha yehaiyahan shanghai china los angeles china.wav

“The queen of the underground music scene in Shanghai” –BBC

Faded Ghost is the producer pseudonym of Shanghai-based vocalist ChaCha Yehaiyahan. A broad and exciting project, Faded Ghost has no set rules or style, often resulting in unpredictable and surprising results. As a producer and live performer, she creates collages of sounds using field recordings as well as self-taught production techniques using various analog and digital hardware, blending together her many influences and ideas into abstract compositions that don’t stick to the usual borders and templates of genre. Faded Ghost stays on the fringe of the quickly evolving musical landscape in China whilst staying cohesive and accessible for the dancefloor.

From Red Bull Radio’s Peak Time: “The Shanghai-based, bass music-loving artist Xinge Yehaiyahan was the first Red Bull Music Academy participant from mainland China in 2011. At that time she was releasing R&B music as ChaCha, singing in the reggae soundsystem Uprooted Sunshine and half of trip-hop duo AM444 (with Dutch producer JaySoul). These days, she’s focusing on her ambient project, Faded Ghost, and poppier productions under surname, Yehaiyahan.”

Read more: “Shanghai Singer and Producer ChaCha’s Bold Reinvention

KAI LUEN + SARA SITHI-AMNUAI

kai luen sara sithi-amnuai china.wav

“Kai Luen’s world is all hollow bones, collapsed lungs, vapor waves moving slow as mountains” – Tiny Mix Tapes

Jeff Kai Luen Liang is an LA-based producer and composer. Among his friends and fans in Beijing, where he lived for a decade, he’s better known by his beat-making alter ego Soulspeak, a regular presence at Beijing’s legendary Section 6 hip hop parties renowned for his MPC skills. As Soulspeak, Kai Luen was an early collaborator with Beijing hip hop heavyweights MC Webber, In3, and DJ Wordy. After establishing a name for himself within Beijing’s early hip hop pantheon, Kai Luen began releasing music under his own name, expanding his sampling and beatmaking repertoire to incorporate a darker, experimental edge drawing influence from the polyrhythms and time shifts of contemporary avant garde composition. These experiments culminated in The Hollow Ghost, a critically lauded 2016 release on seminal Shanghai electronic music label SVBKVLT.

 

Since relocating back to his hometown of LA in 2017, Kai Luen has enrolled at CalArts, where he’s currently pursuing an MFA in Music Technology and incorporating new tools and philosophical approaches to his practice: computer programming, generative musical systems, rules-based composition, chance operations, and interface design (including a self-sampling rice box of his own creation).

For his performance at RADII’s china.wav event, Kai Luen will collaborate with multi-instrumentalist Sara Sithi-Amnuai, a fellow CalArts MFA candidate. Sithi-Amnuai has played sheng — a traditional Chinese reed instrument — in the LA Philharmonic’s production of Young Caesar, and was recipient of the BMI Future Jazz Master Scholarship and the 2019 ASCAP Herb Alpert Young Jazz Composer Award. Her recent work focuses on interactivity, improvisation and developing a glove interface for trumpet.

MC TINGBUDONG

mc tingbudong jam no peanut los angeles china.wav

“A conscious rapper… whose work as an interactive media artist is bringing people to the frontline of political action” – VICE

MC Tingbudong (MC 听不懂, aka Jam No Peanut) is a New York City-based rapper, new media artist, and revolutionary bringing trap music and technology to the fight against state terror. A Fulbright Scholar who studied hip hop culture in China in 2008, Jam No Peanut’s internationalist politics resonate in his music, as he switches between English and Mandarin in politically charged verses over lo-fi, trap and experimental beats.

His projects use interactive technology and rap music to create immersive experiences, such as “Hands Up,” a virtual reality music video that puts you at the center of protest, and “Qi Lai (起来),” a bilingual call to action against fascism. Recently selected as a Found Sound China artist in residence in 2018, his work has been featured in the New York Times, The Nation, VICE, XXL, Complex, Noisey, and more.

Read more: “MC Tingbudong Wants Chinese Hip Hop to Find Its Place in the World

Tickets for china.wav at El Cid are on sale now.

The Venue: El Cid

Unpretentious and atmospheric, El Cid is a historic destination on West Sunset Boulevard in the heart of Silver Lake, Los Angeles.

About ChinaWeek

chinaweek 2019 events calendar los angeles china.wav china wav | RADII ChinaFounded in 2016, ChinaWeek is an annual series of events designed to bring the most current, relevant, multidisciplinary information about China and Chinese culture to the world via Los Angeles, the natural US gateway to China.

ChinaWeek events take place throughout the greater Los Angeles region from May 1-14 each year across nine sectors including: arts and culture, business, education, entertainment, environment, public affairs, science and technology, tourism, and philanthropy.

china.wav will be ChinaWeek’s first-ever music program, and RADII is uniquely positioned to bring China’s vibrant underground music scene to LA.

Tickets for china.wav at El Cid are on sale now.

Thanks to our Partners

APEX Asian Professional Exchange

Asian Professional Exchange (APEX) is dedicated to serve as a medium to bring increased awareness about and to Asian Americans through community service, charitable fundraisers, cultural events, professional networking and educational seminars. By combining diverse skills and resources to support common goals, APEX strives to benefit not only the Asian American community, but also society at large. Ultimately, APEX hopes to create a unified sense of community among all Asian Americans, here in the United States and abroad.

Chinese Union (CU) is a non-profit organization with 15 divisions in California serving local student communities. CU has 4,300+ registered members, 700 officers, 3 committee members and 220 Executive Board members at all divisions.

eating music china label

Eating Music, a Shanghai-based independent music label with taste.

ran music china germany

Ran Rad, a new member of Ran Music. ‘Rad’ is the German word for ‘wheel’, signifying the wish to always move forward. Our major interest is to connect China’s Bass music scene with the world.

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Til Dawn, a boutique management agency in LA / Shenzhen.

Watch: Crazy 5G Police Chase Ad, Now Showing in China

This commercial for the power of 5G-powered AI technologies from communications network China Mobile has been popping up on people’s WeChat feeds in China recently, demonstrating the reach of facial recognition and the surveillance society.

It kicks off with a cyborg-looking police guy tracking a suspect at People’s Square metro station in the heart of Shanghai using facial recognition glasses and… well, it get’s crazier from there.

Check it out:

“Does this advertisement promote 5G or terror?” asks one user, a lawyer, on microblogging platform Weibo. “As technology increasingly intrudes into our personal space, the protection of personal privacy by legal boundaries must keep pace. While attacking a very small number of criminals, we should protect the right to normal life of the overwhelming majority of good people.”

“If Verizon put out an ad like this, the media would destroy them,” writes another commenter.

Facial recognition tech has been widely adopted in China, and is used for everything from riding the metro to caring for stray cats. However, it has also been widely implemented by the authorities, with cameras now present on every street corner in major cities. This has led to a number of high-profile arrests, but also understandably led to widespread unease, while in areas such as Xinjiang the Chinese authorities have been accused of using “high-tech surveillance to subdue minorities”.

Fox and CCTV Anchors to “Debate” Amid Trade War Tensions

Chinese State propaganda service CGTN (the international arm of broadcaster CCTV) is looking to take on American quasi-State propaganda service Fox Business (a wing of Fox News) in a live TV debate via hosts Liu Xin and Trish Regan, after the two traded barbs about the Trade War from their respective stations (and then Twitter handles) this week.

Liu took to Twitter (which is blocked within China) to courteously offer to appear on Regan’s show, in a series of tweets responding to Regan’s call for an “HONEST debate”.

Regan responded in a likewise more civil tone than some of her previous statements on the matter, to invite Liu onto her show live on Wednesday evening:

So, err, this should be interesting.

We’re not sure there’ll be much common ground here other than the two having similarly entrenched nationalistic viewpoints, but who’s to say it won’t make for a great TV spectacle. As to how much of it gets aired within China we’ll have to wait and see, but CCTV’s social media platforms have wasted no time in promoting the clash or in picking off select comments from Twitter to undermine their opponent:

cgtn liu xin trish regan fox

Twitter comments translated by CGTN in a recent blog post

“Words have consequences,” says Liu in a video posted to CGTN’s Weibo account. “Her economic warmongering reaches millions of Americans in their homes,” she adds, referring to Regan’s outspoken criticism of China.

Regan, for her part, has accused China of “waging an information war against the US”, and wrote on Twitter, “China, you picked the wrong fight!”

We’re still waiting for red rap crew CD Rev to wade into this one.

The feud began when Regan took umbrage at supposedly being labelled “emotional” over her coverage of the Trade War between China and the US:

Stay tuned….

Cover photo: CGTN

Listen: Street Sounds of Chongqing from Urban Geographer Asa Roast

For a fitting complement to our recent mix of underground Chengdu sounds, check out this 60-minute mix of field recordings compiled in the nearby megalopolis of Chongqing:

This compilation brings together some greatest hits of the standard Chinese megacity soundscape: metro station announcements, crowded street food stalls, even more crowded shopping meccas, the echoing vestiges of past construction booms and the persistent clang of new ones.

60 Minute Cities – Chongqing was put together by urban geographer and PhD candidate Asa Roast, who collected the samples over two years of field work in the densely populated southwestern city — one of four in China designated a “direct-administered municipality” and thus existing outside of the country’s province system, like Washington, D.C. in the United States.

In a text accompanying the release, Roast writes of the final entry: “Less than six months after I leave the place, a friend sends me a photo over WeChat of the whole area dug up, being prepared for the construction of more apartments / For now the sounds of the city stand at a distance / The horns and engines from the highway still carry across the green space, as does the hum of the light rail line, but it seems changed by the landscape that lies beyond it.“

Read the full text here, and explore more soundscapes from around China on the Soundcloud of 60 Minutes Cities‘ releasing label, Bivouac Recording.

Cover image: A cyberpunk, near-future take on the Chongqing skyline by artist 手指断了 a (“Broken Finger a”)

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City Mix: Heady Brew from Chengdu

CITY MIX is a RADII series in which we give you a sonic spin through the underground music of a Chinese city outside the Beijing/Shanghai nexus.

Chengdu, the capital of Sichuan province (also known as “The Land of Plenty”), is a proud and vibrant city, home to a coexistence of contrasting but harmonious vibes — raw yet refined, relaxed but energetic. Located far from the gigantic metropolises of Beijing and Shanghai, Chengdu has always marched to its own beat, priding itself on its lovable local superstar the Giant Panda, distinctive regional dialect, and famous Sichuan cuisine.

Chengdu has always been the capital of Sichuan, and has never changed its name, a steadfast consistency that lives on through the attitude of the local people today. 

As the city undertakes an enormous facelift in an effort to modernize and accommodate its increasing population, Chengdu remains proud of its roots and cultural output, including its latest musical exports: beloved indie acts Stolen, Hiperson and The Hormones, and rap heroes Fat Shady and Higher Brothers.

Digging deeper, the city’s underground electronic scene is thriving, with a new wave of producers and a growing number of studios and production meetups around the city spanning a range of styles, from acid techno to soulful RnB. With crack production software and music gear now more accessible than ever, musicians are experimenting with electronic music and creating WeChat groups to troubleshoot, share tracks, and engage with fellow producers in the city and beyond. In response to increasingly strict regulations on live music venues, musicians are turning to electronic music and the club dance floor for liberation.

Rock in Chengdu is not dead, however. Long-established bands continue to chip away, while the Sichuan Music Conservatory attracts hundreds of young musicians to Chengdu every year. The next wave of talented, tech-savvy Chuan Yin (川音, the university’s abbreviation) bands are taking over, self-recording, self-releasing, self-organizing, and performing at bars and livehouses around town before rushing back to the university’s remote suburban campus before curfew.

This mix is a play on the dualities of Chengdu’s current live music climate: mechanical, industrial hammering against warm, floral tones, all doused with a generous amount of chili oil. Feast your ears on this tasty selection of tracks:

TRACKLIST

Noise Temple – “Rugga-3” [00:00]

HeLing – “Modular Jam” [04:12]

Stolen 秘密行动 – “Why We Chose to Die in Berlin” [08:17]

Cvalda – “Cemetery Walk” [14:13]

Wu Zhuoling 吴卓玲 – “Glimpse of the Future” [19:23]

Angry Navel 愤怒的肚脐儿 – “K.O. Love” [22:28]

Karmasub – “The Frozen Mountains Icy Skin” [25:37]

FEMME – “Xiaobing” [31:46]

DJ Blue – “Riddle of Sphinx (Original Mix)” [36:38]

Kaishandao – “Hidden Bar (上去)” [42:54]

TY (prod. HARIKIRI) – “那么cool那么swag” (demo) [48:43]

Gaiwaer 街娃儿 – “Untitled” [51:10]

JahWahZoo – “Sunshine” [54:00]

Fayzz – “Walk Man” [57:15]

Sound and Fury – “Coming Down” [1:01:51]

Hiperson 海朋森 – “他像我的老师一样” [1:05:01]

Annaki 安娜其的故事 – “开关” [1:06:37]

Long Travel 浪旅 – “拖延症” [1:11:08]

Deep Water – “Wild Thought” [1:14:15]

Eddie Beatz – “二十一世纪灵魂乐” [1:18:06]

Zhang Ruoshui 张若水 – “回归” [1:19:45]

ABOUT THE ARTISTS


Noise Temple – “Rugga-3”

Kicking off this mix is an unreleased track of cold, mechanical rhythms from Noise Temple, an audio-visual duo composed of musician Huang Jin and visual artist Mian, director of Chengdu digital art collective PuZaoSi. Their sound is created with the concepts of Microsound, Glitch, Ambient, Electronica and Noise, while the vision is centered on the Psychedelic, Microcosmic and Zen.

 

HeLing – “Modular Jam”

Crank the BPM — here is an exclusive, unreleased jam from Leshan-born modular acid techno producer HeLing (a.k.a. Mao Mao), who has emerged in recent years as one of the most formidable artists on the local techno scene. HeLing supported Stolen on their album release tour last year, and helps bring Chengdu’s hardware community together with like-minded Beijing and Shanghai artists through workshops and meetups at his much-loved, 24/7 bar and venue, Steam Hostel. Aside from his famously ferocious live set, this jam excerpt is the first recording of his music online to date. Stay tuned for a debut album this year.

 

Stolen 秘密行动 – “Why We Chose to Die in Berlin”

Hot off the back of their second full-length record, Stolen (秘密行动) are the most dominant band in the Chengdu indie scene right now. “Why We Chose to Die in Berlin” is a pulsating, four-on-the-floor banger extracted from their second album, Fragment, fusing an explosive combination of electro-rock and Berlin-inspired techno.

 

Cvalda – “Cemetery Walk”

Long-time organizer, DJ and producer Cvalda (alias of Qi Zhang) has been a central figure in the local electronic scene since co-founding Underground — considered the earliest underground club in Chengdu — in the early ’00s. She later went on to organize countless bass music events with her label MIST during the wildest years of storied Chengdu nightlife spot Poly Centre. With streets haunted by the remains of old buildings, life in Chengdu can often seem like a “Cemetery Walk,” beautifully captured here with eerie layers of texture and tension.

 

Wu Zhuoling (photo by John Yingling)

Wu Zhuoling 吴卓玲 – “Glimpse of the Future”

Prolific producer, singer-songwriter, and musician Wu Zhuoling, also known as the founder of downtempo trip-hop band Wednesday’s Trip (星期三旅行), clocks in next with this tranquil electronic dreamscape. An active member of the local scene since the late ‘90s, Wu Zhuoling is constantly developing in new directions: she recently started the hybrid performance series Small Projects, adopting a modular synthesizer setup and launching into a self-organized nationwide tour last month.

 

Angry Navel with VJ Qian, Square Wave, NU SPACE, Chengdu, May 2018 (photo by Kristen Ng)

Angry Navel 愤怒的肚脐儿 – “K.O. Love”

Born from the solo project of bedroom producer and vocalist Sugarman, synthwave outfit Angry Navel (愤怒的肚脐儿) are bringing a welcome surge of sass and positivity to the scene. With sultry RnB vocal lines and downtempo, DAW-triggered grooves that arpeggiate between kawaii upbeat tropicana and hair-flipping dance breakdowns, it’s not surprising to know Sugarman hails from Kunming, the hometown of feisty electro-femmes South Acid Mimi. The group signed to music giant Modern Sky last year, and an album is in the works after they graduate from Chuan Yin.

 

Karmasub – “The Frozen Mountains Icy Skin”

Providing you with the road trip soundtrack to your drive to the mountains surrounding Chengdu is this laid-back, dub techno groove from Karmasub, a long-time local musician and producer who also DJs under the name !ssy. Besides co-running the downtempo/house music imprint Placebo and darker, techno-orientated party label Pure Dark, Karmasub regularly performs live around the city, mainly at Chengdu’s sky-high dance club .TAG.

 

FEMME – “Xiaobing”

British electronic pop producer FEMME is in the mix with this unreleased, sassy dance track. It’s composed of bamboo flute samples recorded from a jam with legendary local folk musician Zhang Xiaobing during a month-long, British Council-backed music residency hosted by the crew at Morning (早上好) last winter.

 

DJ Blue – “Riddle of Sphinx (Original Mix)”

Coming in hot is “Riddle of Sphinx” by DJ Blue. After years of experience as a club manager, resident DJ and promoter, DJ Blue is now one of the leading minimal house DJs in Chengdu. Besides hosting her own party label and podcast, Blue Night, and co-organizing events as Dusk Till Dawn alongside Beijing DJ Yang Bing, she produces tracks full of trippy timbres and micro details, influenced by Romanian minimal labels like [a:rpia:r] as demonstrated in this deep dance-floor groove.

 

Kaishandao – “Hidden Bar (上去)”

This mutant track is a tribute to the hectic nights and hazy mornings of the “Hidden Bar” on the second floor of Chengdu’s favorite underground club .TAG, where scatty, chopped-up drum lines are smeared over a canvas of gin and tonics and bolstered by an imminent city sunrise. Feel the heavy effects of warped guitar manipulations for added intoxication.

 

TY

TY (prod. HARIKIRI) – “那么cool那么swag (demo)”

Hailing from Chengdu Rap House (成都说唱会馆), rapper TY has teamed up with producer Harikiri for his next release. This demo wildly deviates from the tried and true trap sub-bass wobbles that have dominated the hip hop scene for the past few years, flaunting bossy four-on-the-floor kicks and a sneering delivery of “you don’t get why we are so cool, so swag” striking the perfect balance of Chengdu arrogance and nonchalance.

Harikiri

Given the breadth of Harikiri’s influence on Chinese beatmaking — which spans from teaching Do Hits co-founder Howie Lee how to make dubstep, to collabs with superstar Chengdu rap crew Higher Brothers — we can expect local hip hop producers to take note once this trendsetting producer unleashes his next record.

 

Gaiwaer 街娃儿 – “Untitled”

Loud and proud, Gaiwaer — Sichuan dialect for “street kids” — are a four-piece hardcore punk band from Chengdu. They’re part of the Big Fight Chengdu (BFCD) collective, which you can learn more about here.

 

JahWahZoo – “Sunshine”

A staple at Chengdu’s long-running reggae haunt Jah Bar and indie music festival Chun You, this mix wouldn’t be complete without a tune from reggae big band JahWahZoo. This track is taken from their debut album Zoo Party, which was recorded with UK dub producer Nick Manasseh and released by Caotai Music last year.

 

Fayzz – “Walk Man”

Fayzz started off as the one-man project of musician Fan Bin in 2009, and has slowly evolved into the current lineup of Huang Yu (Bass), Mu Wang (Guitar), and Xiao Bo (Drums). Merging elements of post-rock, math-rock, chill-out and jazz-hop, well-loved instrumental wanderers Fayzz have been quietly teasing at plans for an album this year. Fingers crossed.

 

Sound and Fury – “Coming Down”

Next up is Sound and Fury, a four-piece shoegaze band that has been active on the scene since 2011. “Coming Down” is from a 7” released by Shenzhen bedroom pop label Boring Productions last year, melding thick washes of guitar noise and candy-coated vocal harmonies from husband-and-wife duo Fan Shuai (guitar) and Kuang Ying (keyboard) atop a rock-hard rhythmic foundation from Canadian drummer Andrew Derry.

 

Hiperson 海朋森 – “他像我的老师一样”

Gritty, aggressive, and full of loving imperfections, this succinct attack on a former teacher and the rigid Chinese education system is taken from She Came Back from the Square, a self-produced EP recorded in Hiperson’s sweltering old rehearsal space above a dingy row of KTV bars in downtown Chengdu last year. The lo-fi, analog cassette aesthetic will be cast aside for the band’s next record: Hiperson recently laid tracks at the legendary Hansa Studios in Berlin. Excited is an understatement.

 

Annaki 安娜其的故事 – “开关”

From arrogant teachers, back to campus. One of the most exciting groups to emerge from the latest Chuan Yin flock is the retro rock, synth-warbling unit Annaki (安娜其的故事), a young four-piece band with a lot of potential.

 

Long Travel 浪旅 – “拖延症”

Long Travel (浪旅) is a shoegazing post-punk band with a speedy, refreshing sound that already has them fielding invites from local festivals NUART and Chun You. The band are part of the collective behind the newly formed DIY record label H2 Records, which was launched by a group of like-minded university bands from Chuan Yin.

 

Deep Water – “Wild Thought”

Last year, Sugarman from Angry Navel formed the feel-good indie duo Deep Water with guitarist Wang Bo (The Sad Sack 冒失鬼, Hit the Place, 打飞机). Deep Water produces nostalgic, melancholic love songs seasoned with just the right amount of fuzz.

 

Eddie Beatz – “二十一世纪灵魂乐”

Chengdu hip hop producer Eddie Beatz (also known by his other alias, 也是福) started making beats at age 15. His laid-back, sample-based approach to beatmaking has seen him collab with some of the biggest names in Chinese rap, release with Shanghai labels Jadecraft and Eating Music, and, most recently, open for LA soul boogie smooth operator MNDSGN.

 

Zhang Ruoshui 张若水 — “回归”

Born in 1991 in the small town of Dazhou, Sichuan, Zhang Ruoshui taught himself guitar and started a band by hanging around Chengdu’s legendary venue Little Bar as a teen. This 90后 (born after 1990) university dropout is the driving force of the alt-folk scene in Chengdu. His characteristic drawl in the refrain “sing when you’re sad / paint when you’re sad / dance when there’s nothing else to do” (“不开心就唱歌,不开心就画画,没得事就跳舞”) is a charming reflection on life, leisure and boredom.

Cover photo: Angry Navel with VJ Qian, Square Wave, NU SPACE, Chengdu, May 2018 (photo by Kristen Ng)

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Academy Award-Winning Director Malcolm Clarke Aims to Rescue US-China Relations with “Better Angels”

At a time when US-China relations are increasingly hostile on all fronts, Better Angels — a film from two-time Academy Award winning director Malcolm Clarke — aims to highlight the importance of tolerance in moving toward a peaceful future. It does so by focusing on the more humane sides of both countries, mostly through the lives of good-hearted citizens, a route that has made some skeptical due to its avoidance of the countries’ less flattering angles.

“We wanted to zig while everyone else was zagging,” says Clarke when we meet at the Beijing International Film Festival in mid-April. “We tried to make the film we hadn’t seen before.”

The contrast Clarke refers to is largely in reference to the mainstream American press, whose coverage of China he says he finds “absolutely lamentable”. Clarke and the production team wanted to “explain more about China to an American audience”, he says.

“The average Chinese person understands America far better than the average American understands China,” Clark continues. “So there was a balance to try and rectify this, what I regard as a huge information deficit between America and China.”

Clarke’s approach is to spotlight ordinary citizens, or “accidental diplomats” as the film calls them. This wasn’t the original plan for the movie, he says, but nine months into filming interviews with high ranking politicians and businessmen Clarke realized he was making “an absolute guaranteed cure for insomnia”.

malcolm clarke better angels

Better Angels director Malcolm Clarke

That’s not to say the film doesn’t also feature some heavy hitters. Sino-US experts interviewed in the film include US ambassador to China Terry Branstad, the first Chief Executive of Hong Kong upon the transfer of sovereignty in 1997 Tung Chee-hwa, and New Yorker journalist and noted China writer Evan Osnos.

One expert, the controversial former US Secretary of State Henry Kissinger (famed for orchestrating the opening of relations between China and the US), was one of the people behind the idea for the film, says Clarke. Kissinger is also the first person to appear in the film, sharing an anecdote about his first visit to China and framing the current state of relations between the two countries.

But the embodiment of the film’s message really comes in the form of people like Memo Mata from Texas and Li Mianjun from Shandong province, both of whom begin successful cross-cultural enterprises in the other’s country. Mata does so as an American football coach in Shanghai, Li as an abacus teacher in Southern Los Angeles.

Related:

Other stories are meant to inject nuance into people’s — largely Americans’ — understanding of the economic relationship between the US and China. One segment focuses on a Chinese factory built in the US that produces jobs in a struggling community, another on factory jobs outsourced from China to Ethiopia.

Some segments simply aim to humanize developments, one example being Bao Wangli, who left his home and pregnant wife in Yunnan to take a more lucrative job engineering a bridge in Ethiopia 8,000 miles away.

“All I really wanted to do was to show that the Chinese aren’t faceless automatons who just work their asses off,” Clarke says in reference to Bao. “They’re people, and they hurt, and they yearn for their wives and kids, and emotionally they made enormous sacrifices to raise 700 million people out of poverty.”

better angels china us relations

Bao Wangli is one of the people featured in the film

While highlighting the admirable parts of each country, the film noticeably chooses to avoid harsher realities either is home to. To the critique that leaving out things like China’s repression and imprisonment of Uyghurs in Xinjiang damages the film’s authenticity and leaves it open to being interpreted as propaganda, Clarke responds indignantly.

“I have no illusions about the sins committed by this country […] I know what they do, and I know how they do it, and I’m terribly sad that they do and that they don’t see how what they do hurts them and hurts their cause,” he says.

Clarke says he knew the film would “be accused of being in the pocket of the Chinese government”, and that it has in fact already faced criticism on that front, whether in the form of accusations from “Trump trolls” on the film’s Facebook page or skepticism from Western journalists and students on US university campuses.

“I often say I’m not pro-China — I’m not, and I’m not pro-America, I’m really not,” the director says, pointing out that all of the funding for the film came from the US. “I’m pro America and China getting along because I think it’s the only common-sense reaction to super power relationships.”

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And like many films entering the Chinese market, Better Angels was forced to re-edit to make it to cinemas in the country, with eight minutes of footage cut in order to secure its release in China this coming June. Clarke admits it was a move they made both to ensure people in China could see it and to deliver economically to investors.

During the Q&A after the Beijing film screening Bill Mundell, adjunct professor at UCLA’s Anderson School of Management and a co-producer for the film, framed the movie as a lesson for people on both sides of the Pacific about how they can become “stakeholders” in the US China relationship.

“The message of this film is really disarmingly simple,” he stated. “If we can follow the examples of those ordinary Americans and ordinary Chinese that are seeking to bridge the physical and metaphysical distance that divides us, we can transform the relationship from one where we barely tolerate each other’s differences to one where we begin to capitalize on each other’s differences.”

better angels us china relations film

Better Angels aims to bridge the U.S.-China divide by focusing on every day people

Better Angels will be released theatrically in China June this year, after which Clarke says they’ll probably do a deal with a Chinese streaming service. They’ll then move to screen it theatrically in select cities in the US and aim to sell it to a streaming service there.

How much of an impact it makes on US-China relations remains to be seen.