3 Chinese Photographers Shaping the Aesthetics of Girlhood-core

Meet three Chinese-born fashion photographers engaging with the aesthetics of girlhood-core: Mengyu Zhou, Kiki Zhou, and Lijia Yue’s photos encapsulate aspirations, states of emotion and universal experiences shared in the midst of youth. 

Type “girlhood-core” into Pinterest and you get 25 thousand variations of “I’m just a girl” memes, cute woodland animals, hazy atmospheric photos, and shades of bright pink filtered through the algorithm. But the photos taken by Mengyu, Kiki, and Jiayue have a different spin to them, with each photographer choosing a grittier, documentary-like style to express themselves. These three are the ones to watch when exploring the ever-evolving state of growing up a girl.

Mengyu Zhou

Image by Mengyu Zhou.

Mengyu Zhou is a Chinese photographer based in Berlin. At a young age, she moved to Germany with her family. Her passion for photography started as an outlet for personal expression that helped her transcend the language barrier. Her work has previously been featured on i-D UK, while her clients include Slam Jam, Rus, and Marieyet. She is also the founder of Berlin-based street-casting agency Seen Casting.

Wei Ting Wong: What does being a girl mean to you and how does that influence your photography?

Mengyu Zhou: For me, being a girl is a mix of contradictions: messiness, resilience, rebellion, curiosity, confusion, all wrapped up in one. I enjoy the process — trying to figure out what makes me me, to embrace my own identity. It shaped the way I approach photography. It is about being present, observing, and capturing life as it is. 

Image by Mengyu Zhou.

Wei: What do you look for in the framing of a photo? When is the moment you decide to snap the picture? 

Mengyu: I always look for authenticity and genuine human connection. It comes from a sense of curiosity and desire to understand people and their stories. 

Wei: What characteristics do you look for when casting a model? 

Mengyu: Uniqueness! I love finding people with that special something that sets them apart. I do all the scouting myself, most people I photograph are street-casted.

Wei: What influences your photography style?

Mengyu: Aside from learning from all the legendary photographers and artists, my inspiration comes from my everyday life, from my favourite childhood cartoons to my grandma’s personal style.

Image by Mengyu Zhou.

Find more of Mengyu’s work at @mengyu___ and @seen_casting.

Kiki Zhou

Image by Kiki Zhou.

Kiki Zhou is a freelance photographer currently based in Tokyo. She moved to Tokyo two years ago, and first spent a year and a half studying Japanese at a language school while building her connections. Her interest in photography started whilst taking photos of her friends in her university days and submitting them to her school magazine. Her style is accessible, cute and sexy. Some clients include Artbasel, Momentel, and Om Weekend. 

Wei Ting Wong: What does girlhood-core mean to you and how does your photography play with the themes within it? 

Kiki Zhou: To me, girlhood-core is an aesthetic that celebrates the complexity of girls — both their strength and vulnerability. In my photography, I like to create a soft, warm atmosphere — focusing on gentle lighting, pastel colours, and intimate moments that allow the subject to feel comfortable and fully themselves. It’s about creating a space where girls can embrace their true essence.

Image by Kiki Zhou.

Wei: What characteristics do you look for when casting a model? 

Kiki: I look for people who are unapologetically themselves. Whether they’re shy or outgoing, I want models who are comfortable in their own skin. That is the key to creating an authentic image.

Wei: What do you think is the best thing about photographing girls? 

Kiki: I almost exclusively take photos of girls subconsciously. I think it comes from seeing parts of myself in each girl, and wanting to bring out their unique personalities. Every girl has her own distinct beauty, and capturing that beauty through my own female perspective is very exciting to me.

Image by Kiki Zhou.

Find more of Kiki’s work at @acityshehad.

Jiayue Li

Image by Jiayue Li.

Jiayue Li has been an independent photographer and director since 2016. She has previously lived between London and Shanghai, working in documentary and fashion photography, and is currently based in Tokyo. After studying in Canada, she moved to London to attend the Bartlett School of Planning and in 2019 switched to Fashion Photography at London College of Fashion in order to learn more about studio photography, lighting, darkroom printing, and analogue photography techniques. She has shot fashion imagery for UK magazine The Gentlewoman and indie fashion brands ImyourAnkin, Rabbit Baby and Yushuo Kobayashi.

Wei Ting Wong: What was your start in photography like?

Jiayue Li: I used to do some modelling jobs when I was in high school. I have many photographer friends and they encouraged me to buy my first film camera, a Canon AE-1, which I shortly [afterwards] lost in a park and bought a Canon A-1 as a replacement. 

I went to Canada for college. I did not enjoy my school life in Vancouver at all, so I dropped out. The only comforting memories I had during that time are walking around with a camera, taking photos, getting on a bus to the film lab and having a ramen whilst waiting for them to develop. 

After dropping out of school, I went back to China and took a month to travel and study in Tokyo. It was springtime, everything was bright and shining. I had my camera with me, and met many friends who were also photography enthusiasts. I continued to take a lot of photos and shared them on my social media. When I went back to China, I was hired on a few photography jobs, that’s how I started.

Image by Jiayue Li.

Wei: Where are you right now and what you have been up to?

Jiayue: I currently live in Tokyo, before that I lived in London for nearly seven years, and in Shanghai for two years. Changing location is a familiar challenge for me, different cities bring different opportunities. I would like to experience more, learn more, shoot more, and become a better photographer. It is also a journey of self discovery for me.

Wei: What does being a girl mean to you and how does that influence your photography?

Jiayue: It is a lived experience, a gender, a term that brings responsibilities. 

Image by Jiayue Li.

Wei: Your photos capture a light-hearted and innocent mood, what do you look for in the framing of a photo? When is the moment you decide to snap the picture?

Jiayue: I aim to capture and create something beautiful. I wish for my images to be friendly and hopeful. The moment I feel dokidoki,* that is when I know I have the shot.

Wei: What characteristics do you look for when casting a model?

Jiayue: For me I look for personalities I like, it is more about the feeling… Personally, I like people who look kind and friendly.

Wei: What influences your photography style? 

Jiayue: Everything! Photography is from my life experiences and imagination. I gravitate towards my experiences, everything I see, everything I love and care about.

Image by Jiayue Li.

Find more of Jiayue’s work at @_lijiayue.

* A Japanese phrase commonly used in anime to describe someone’s heart beating quickly.

Banner image by Haedi Yue. Image features photographs by Jiayue Li, Mengyu Zhou, and Kiki Zhou (from left to right).

Shi Ming aka “Doctor Sleep” Shines at UFC Fight Night in Macau

30-year-old doctor-turned-mixed martial artist Shi Ming triumphed at UFC Fight Night 248 last weekend in Macau, knocking out competitor Xiaocun Feng in the third round with a brutal head kick. With her victory, Shi became the strawweight tournament winner of this first “Road to UFC” event.

The win caps an impressive year for Shi, who has made a strong return from injury. Speaking with RADII for Way of the Warrior two years ago, she was still undergoing rehabilitation for a knee injury. At the time, she spoke of being inspired by watching fellow Chinese competitor Zhang Weili fight Rose Namajunas. Two years later, Shi’s stunning KO performance has earned praise from Zhang herself, marking her progress as a fighter.

Coming in at 5’3” (160 cm), Shi’s background as a medical doctor — with a specialization in acupuncture on top of that — sets her apart within the world of UFC. Reflecting her dual identity as a fighter and a medical professional who graduated from Shanghai University of Traditional Chinese Medicine, Shi admitted feeling worried about her opponent Feng’s injuries. Seeing Feng remain on the ground for over 10 seconds, Shi expressed her hope for a quick recovery. “My compassion is my weakness,” she confessed, adding, “A warrior should always give their all in a fight.”

This striking contrast in her character has captivated fans, who in China affectionately call her “Doctor Shi.” This most recent bout, she also earned the English nickname ”Doctor Sleep” from commentator Michael Bisping.

Shi’s path has not been without challenges. Her family still believes she participates in traditional martial arts matches, which are more closely tied to Chinese culture and perceived as less violent than UFC. Despite this, Shi remains steadfast in pursuing her dream, hoping to reach even bigger UFC fights. After retirement, Shi aims to use her medical skills to support althetes’ recovery and rehabilitation.

Shi also aims to elevate the status of mixed martial arts and promote greater awareness of sport in China. “One day, I hope to fight not just in the octagon, but also against the stigmatization of MMA,” Shi said. Her determination as both a fighter and doctor continues to inspire fans and challenge perceptions both in China and abroad.

Banner photo via Xinhua Net.

Riding the Future as Chinese Electric Bicycles Transform Urban Mobility in Lima

Chinese electric bikes have been present in the bustling streets of Lima, Peru, since 2019, but their popularity began soaring significantly in 2023, bringing a transformative wave to urban mobility. As this trend grows in 2024, these lightweight, fast, and eco-friendly vehicles have redefined urban mobility, particularly for short-distance commuting. These bikes are gaining traction among Peruvian consumers, including young Peruvians who see them as a convenient and affordable solution to their transportation needs.

China Daily reporter Peng Yixuan recently encountered a young Peruvian girl in Lima riding a Chinese electric bike. In an interview, the girl revealed she had purchased the bike at a “lower price in Peru,” highlighting its affordability. 

China Daily reporter Peng Yixuan interviewing an e-biker on the streets of Lima. Image via China Daily.

The convenience and efficiency of these bikes have impacted how people move within Lima. As the Peruvian capital faces chronic traffic congestion, electric bikes provide a quicker, more sustainable alternative to traditional vehicles. Their ease of use and ability to navigate crowded streets have made them particularly popular among students, office workers, and delivery drivers, offering a cleaner and more accessible mode of transport.

One of the standout features driving the enthusiasm for Chinese electric bikes is their advanced battery technology. The Yadea brand, for instance, has introduced the Graphene TTFAR battery, which offers 25% more capacity than ordinary lead-acid batteries. This innovation has sparked excitement among users, such as an Instagram comment in Spanish on Yadea’s dedicated Peru page by user gior8685, exclaiming, “YADEA GRAPHENE TTFAR THE BEST AND SAFE!!!!!” Such advancements enhance the bikes’ range and reliability, making them even more appealing for daily use.

However, the rise of electric bikes has brought challenges to Peru’s regulatory framework. As a relatively new form of transportation, they are subject to evolving regulations to ensure safe integration into the city’s streets. In 2024, new requirements were introduced, including mandatory insurance policies, known locally as SOAT (Seguro Obligatorio de Accidentes de Tráfico/Compulsory Traffic Accident Insurance), for electric bikes and scooters. Riders must also hold appropriate licenses to operate these vehicles legally. These measures aim to enhance safety while accommodating the growing use of electric bikes on public roads. Riders failing to meet these requirements face fines, reflecting the government’s efforts to enforce compliance.

Regulatory issues aside, electric bikes have been praised for their environmental benefits. Unlike fuel-powered motorcycles or cars, electric bikes emit no greenhouse gasses during operation, contributing to reduced air pollution in urban areas. This is particularly significant given Lima’s long-standing struggles with pollution. The city has faced severe air quality issues due to factors such as vehicle emissions, industrial activity, and its geographical location, which traps pollutants in the atmosphere. According to EcoHubMap, Lima frequently records air quality levels exceeding safe limits, posing health risks to its residents. Their increased adoption aligns with global efforts to combat climate change and transition toward sustainable urban transport systems.

The convenience of electric bikes is another key factor driving their popularity. These bikes offer portability, allowing users to park them in compact spaces, and their rechargeable batteries provide sufficient range for daily commuting. Companies in Peru have leveraged this demand by expanding their product offerings, including models specifically designed to meet local needs, such as those capable of climbing 9-degree inclines effortlessly. This feature is particularly well-suited to Peru, given the country’s diverse terrain and varying altitudes, which require vehicles that can perform efficiently in challenging conditions. The affordability of Chinese electric bikes, which are often less expensive than traditional motorcycles, further enhances their appeal, making them accessible to a wider demographic.

The growing presence of Chinese electric bikes in Lima reflects a broader shift in transportation preferences across South America, with e-bikes becoming a common sight on the streets of Brazil as well. As more consumers prioritize cost-effectiveness, while opting for more environmentally sustainable forms of transportation, electric bikes are positioned to play an important role in shaping the future of urban mobility in the region. With continued innovation and updated regulations that support their use, these vehicles could redefine how Peruvians navigate their cities, offering a glimpse into a cleaner, more efficient future.

Banner image via Ebiker.

Why Are Chinese Gen Z Choosing Temporary “Dazi” Over Close Friends?

Shallow socializing, crush, and dāzi (搭子) are all trending key words when it comes to relationships on Xiaohongshu this year. On social media platforms, young people are creating groups for finding dazi — companions who share common interests and participate in activities together — looking to find some temporary companionship as they engage in hobbies, travel, or even get through daily chores like grocery shopping.

Unlike close friends, who socialize frequently and keep in close contact, a dazi is a more temporary and sometimes superficial social partner.

To understand the appeal and implications of dazi culture, I spoke with Gen Z users on Xiaohongshu, group leaders, and active dazi seekers who’ve embraced this trend in their daily lives. Here’s what they shared about how dazi culture has transformed their social lives and shaped their views on modern relationships:

“Female born in 2000 is looking for an outgoing, straightforward conversation dazi,” a post on Xiaohongshu reads. “Vulnerable people and easily irritated people please stay away.”

A search for “dazi” on China’s lifestyle-focused social media platform Xiaohongshu, or other social networks such as WeChat and Douyin, will turn up posts by numerous users seeking various types of companions like food lovers, fitness fanatics, travel buddies, weekend hikers, or study companions.

The term “dazi” comes from Shanghai dialect and originally referred to “card-playing buddies.” Later, the term developed a broader meaning, simply referring to companions who participate in activities together.

Besides making public posts inviting dazi to join them for activities, people can also find dazi through groups hosted on the same social networks. The level of organization within groups varies. In many cases, group founders take on a leading role, managing the logistics of events or activities. For example, a group leader might specify a meeting time, establish group rules, and facilitate communication. However, many dazi groups operate democratically, allowing members to contribute equally. The flexibility is part of what makes dazi culture appealing — it accommodates spontaneity while fostering a sense of belonging.

Refreshing and uncomplicated

Anna Li, a 24-year-old who frequently uses Xiaohongshu to find hiking companions, describes her dazi relationships as “refreshing” and “uncomplicated.” “In dazi groups, there’s no pressure to overshare or get too personal,” she explains. “We’re just here to have fun and hike together, and if our schedules don’t align one weekend, that’s totally okay.”

Unlike traditional friendships, which might have been formed over a long period of time in school or at work, dazi don’t have any limit when it comes to age or geographical location, nor a sense of social obligation. This new type of relationship prioritizes freedom, comfort, and enjoyment over commitment.

“My close friends don’t ski and those who ski already have families,” says Ting Cui, a 29-year-old living in Shenyang, “So I take the occasion to make dazi relationships through skiing.” For Ting, these relationships act as a social safety net, allowing her to share experiences without the traditional expectations of friendships.

One appeal of dazi culture is its ability to help young people fill social gaps without the demands of long term, emotionally-binding friendships. In a fast-paced, often transient digital world, this approach to socializing offers an alternative to traditional friendships that may no longer fit with modern lifestyles.

“Everyone’s busy”

“Everyone’s busy, and not all friendships last,” says Jie, a Xiaohongshu user who often joins dazi groups for weekend getaways. “Dazi groups help me do things I enjoy without the need for long-term commitment. If I move away or find a new job, I don’t have to worry about disappointing anyone or losing touch.”

For many, dazi culture provides a way to enjoy a supportive environment that is task-oriented, allowing them to feel socially connected while maintaining personal boundaries. It’s a form of shallow social interaction that, paradoxically, meets deeper needs by respecting individual independence.

“Dazis around me are practical. For example, I used to hire a fitness coach, but it is quite expensive,” one lifestyle influencer on Xiaohongshu commented in a vlog post, discussing the role of dazi with a fellow influencer. “However, when I started to train with a fitness dazi, we motivated each other and set goals to achieve together. Now I no longer need a coach,” he added.

“The relationship is purpose driven, once the purpose fulfilled, we are no longer bound together,” he further elaborated. “Dazi relationships rely on current needs to exist. Once the need is satisfied, the relationship naturally ends.”

According to a report published in 2023, more than 60% of young people in China are actively developing dazi relationships, while 90% of young people are aware of the concept.

Among careers where dazi use is the most widespread, civil servant tops the list, with the report stating that 60% of civil servant respondents participated in the practice. In contrast, only 28% of freelancers frequently searched for a dazi.

Interestingly, dazi culture isn’t just about convenience or fun — it also serves as a form of self-care. Many young people see these relationships as a way to keep their social batteries full without the stress that often accompanies deeper friendships. In this sense, dazi relationships become a tool for maintaining mental wellbeing.

Grace Wang, a Gen Z skier who leads a skiing dazi group on Xiaohongshu, explains, “As a leader, I see how many people benefit from having casual social outlets where they can enjoy skiing without any strings attached. Many of them have expressed how it helps with mental health, as they don’t feel pressured to be available or involved outside the group activities.”

Conserving emotional energy

In a world where social pressures are high, especially online, Gen Z values forms of connection that respect boundaries. In general, they seek to protect their emotional energy by engaging in low-risk, flexible relationships.

This form of compartmentalization appeals to many in a generation that is deeply conscious of the toll social obligations can take on mental health. Anna pointed out that in her experience, “Most of my friends are supportive of dazi relationships because they feel it respects everyone’s time and mental space. We’re not less close; we’re just more selective with how and when we spend time together.”

Zoe Zhao, an assistant professor of sociology at UC Santa Cruz, explained to RADII that Gen Z’s preference for dazi aligns with broader changes in how this generation perceives relationships.

“Younger people value autonomy and prioritize their mental health. Dazi allows them to engage socially without being weighed down by obligations,” she said. “It reflects a changing societal view on friendship, where connections are flexible and purpose-driven rather than emotionally intensive.”

However, dazi relationships still remain controversial for their disposable nature.

Over the past few months, posts have started to appear on Xiaohongshu complaining about how this “no strings attached” approach to relationships has left many feeling hollow and like they’ve been treated as an object.

“I wanted to make friends with a girl I go to movies with, but she said that she has dazi for other activities,” a Xiaohongshu user lamented in one post, “I feel like a tool to satisfy her need in one specific field without any possibility of further emotional investment.”

Illustrations by Haedi Yue.

Giant Fish Lanterns Pop Up in Shanghai for Cultural Heritage Festival

Earlier this month, Xiaohongshu collaborated with Zaochun Le Shiji (早春乐事集) and Shanghai’s Columbia Circle to host the Intangible Cultural Heritage Handicraft Festival, a vibrant three-day event. Divided into five parts — performances, workshops, exhibitions, talks, and markets — the festival drew large crowds from November 8 to 10, becoming one of Shanghai’s most popular attractions that weekend. The handicrafts and traditions gathered together at the festival including basket weaving, embroidery, jewelry making, dough figurines, soap making, lacquer art, and much more.

Columbia Circle added a historically significant backdrop to the event: founded as the Columbia Country Club in the 1920s, the site was once on the outskirts of the city and was a popular social space for Shanghai’s American expatriate community prior to World War Two. The commercial development hosts a number of historical buildings, including a villa designed by Hungarian architect László Hudec, one of the main figures behind Shanghai’s iconic art deco architecture. Revitalized by renowned architecture firm OMA in 2016 and 2017, the space now ties together two different eras from Shanghai’s history as a cosmopolitan international city.

The festival at Columbia Circle. Image via Zaochun Le Shiji

One highlight of the event was a parade of fish-shaped lanterns, a cultural practice from nearby Anhui province, traditionally featured in Lunar New Year celebrations to pray for peace. These lanterns, crafted from bamboo and paper, usually range in length from three to six meters. For the parade in Shanghai, the lanterns reached impressive lengths of up to eight meters. The event also featured performances of Peking Opera and Luoshan Shadow Play, a form of shadow puppetry from Henan province.

Over 100 artisans showcased their creations, while attendees participated in 8 interactive workshops and listened to talks from traditional culture practitioners. Image via Yi Zhi Ciwei on Xiaohongshu.

However, some visitors found the crowds overwhelming, which made it hard for them to enjoy the exquisite handicrafts in the market at a relatively slow pace. Other visitors were put off by the price of workshops. Yet the festival still demonstrated the novel ways in which cultural heritage can enrich contemporary urban life, offering a meaningful alternative to more trend-driven weekend markets, which are a common sight at Shanghai shopping centers these days. 

For those that missed the initial festival weekend, there’s an ongoing exhibition related to the fish lanterns by artists Xu Jiufeng and Qian Lihuai on at Columbia Circle until December 7. On top of that, Zaochun Le Shiji have committed to organizing another festival in Shanghai in January, with plans to expand the event series to other cities.

Banner image via Yu Bin on Xiaohongshu.

Jake Paul Defeats Mike Tyson as Chinese Netizens React 

American YouTuber-turned-boxer Jake Paul defeated a 58-year-old Mike Tyson via unanimous decision over the weekend, as nearly 70,000 spectators watched at the AT&T Stadium in Texas. And although the fight was streamed on Netflix, a platform unavailable in the Chinese mainland, it was nevertheless closely watched across the Pacific.

Leading up to the fight, Paul was seen as a clear favorite, given the age gap between the two boxers, as well as the lack of recent in-ring activity from Tyson, who last fought in an exhibition fight against Roy Jones Jr. in November 2020. Paul, meanwhile, had already fought twice this year, with wins against Ryan Bourland and bare-knuckle fighter Mike Perry in February and July, respectively.

An estimated 60 million households tuned into the Paul-Tyson fight, as per Netflix, with the event peaking at 65 million. It is also estimated that 50 million households watched the co-main event between Amanda Serrano and Katie Taylor. “The bout is likely to be the most watched professional women’s sporting event in US history,” the streamer said in a statement. The event wasn’t without its problems, however, as users complained about connection issues on the Netflix live stream.    

Despite a lack of direct access to the fight, Chinese netizens tuned in and had their say on the highly anticipated bout between the two stars. On Chinese social media platform Xiaohongshu, for instance, most of the online reaction appeared to be in support of Tyson, with many users pointing out that he performed impressively, suggesting they may have been fans of Tyson due to his late 1980s prime. Others, meanwhile, said that the former heavyweight champion shouldn’t still be fighting in 2024 considering his age. 

“In the eighth round, Tyson’s speed was still rapid, but he didn’t throw any punches. Paul nearly fell down from exhaustion” said one user on Xiaohongshu. “Sad to see Mike fighting at this age,” commented another

This comment, suggesting that Tyson was intentionally throwing the fight, sparked debate on Xiaohongshu. Screenshot via Xiaohongshu.

On Weibo, some netizens poked fun at Canadian rapper Drake for placing a bet on a Tyson victory and joked that this was why the Boxing Hall of Famer lost to the 27-year-old. The rapper has previously placed a number of bets on major sporting events that he’s subsequently gone on to lose money from.   

In Hong Kong, a special administrative region of China where Netflix is available, the fight card remains in the streaming platform’s top 10, as of Tuesday morning.

As of Tuesday morning, the Paul vs Tyson event still sat at No. 6 on Netflix’s official Hong Kong charts.

Banner image via Jake Paul on Instagram.