Kamala Who? Meet U.S. Vice President Ho Gam-lai

Ho Gam-lai (贺锦丽) is the official Chinese name of Kamala Harris, who is the current vice president of the United States, and the Democratic Party’s presumptive presidential candidate after President Joe Biden unexpectedly dropped out of the race.


Harris got her Chinese name while running for district attorney in San Francisco in the early 2000s. According to law, candidates have to list their names in multiple languages. Rather than using the transliteration of her name — Kamala Halisi (卡玛拉·哈里斯) — Harris’ friend Julie D. Soo suggested that she pick a proper Chinese name, which had to be potential be more memorable for Chinese-speaking voters.


Soo turned to her father, the late Stephen Hsi-fen Soo, a well-respected Chinatown community leader in San Francisco, for suggestions. Stephen Soo’s services to the city included translating for then-Mayor Diane Feinstein at the San Francisco-Shanghai Sister City Committee. He bestowed Harris with the name 贺锦丽, pronounced as Ho Gam-lai in Cantonese, and He Jinli in Mandarin.


Kamala San Francisco

Harris in 2003. Image via China Daily.


The name is truly auspicious: its many connotations include “congratulations,” “beauty,” “intricate,” and “magnificent.” Besides its Cantonese and Mandarin pronunciations, Harris’ Chinese name is pronounced as Ho Tsing Li in Hokkien. This sounds like the Hokkien pronunciation of 好整理 (hàozhěnglǐ in Mandarin), which refers to cleaning up. So naturally, netizens are joking that she’s come to clean things up.


Harris aside, historically, many foreigners have given themselves memorable Chinese names that have nothing to do with the sound of their real names. For example, German missionary and astronomer Johann Adam Schall von Bell named himself Tang Ruowang (汤若望), and the American historian of China John King Fairbank had the name Fei Zhengqing (费正清).


Netizens were also quick to point out that Harris had sidestepped a potential Chinese naming flop, unlike foreigners who named themselves Qiao Keli (巧克力, chocolate) or Hai Feisi (海飞丝, a shampoo brand).


20 years ago, Harris’ carefully-chosen Chinese name may have given her a political edge by granting her greater name recognition among San Francisco’s large Chinese speaking population. As Harris begins her candidacy for president, will Ho Gam-lai mobilize more voters?


Banner image via NPR.

Remembering Cheng Pei-pei’s Trailblazing Career in Martial Arts Cinema

From Bruce Lee’s duel against Chuck Norris at the Colosseum, to Donnie Yen’s thundering punches in the Ip Man series, iconic fight scenes in martial arts cinema have long enthralled audiences. Amidst this dynamic genre, one actress emerged as a true trailblazer — the legendary Cheng Pei-pei, fondly dubbed the “Queen of Swords.”


After an illustrious career spanning nearly 60 years, Cheng passed away last week at 78. The news quickly spread across the globe, where her legacy as one of the most influential female figures in martial arts movies has transcended borders and generations.


Come Drink With Me

Poster for “Come Drink With Me” (1966), the film that springboarded Cheng into wuxia superstardom. Image via IMDb.


Born in Shanghai in 1946, Cheng relocated to Hong Kong in the early 1960s. There she joined the prestigious Shaw Brothers Studio. The studio sent her to their performing arts training school, which would serve as a catapult for her illustrious career as an actress. She would go on to star in 20 of the Shaw Brothers’ wuxia films (武俠, martial arts stories highlighting heroes and fight scenes), at a time when Hong Kong was considered the “Hollywood of the East.” She played the lead in classic films of the era including The Lotus Lamp (1965) and Come Drink With Me (1966).


Directed by the eminent King Hu, Come Drink With Me was the first major martial arts movie to feature a leading female action star. In her breakout role as a skilled swordswoman called Golden Swallow, Cheng blended her dancing background with fierce fighting prowess as she impressively performed her own stunts. Challenging traditional depictions of women and notions of femininity in martial arts movies, this role paved the way for new generations of aspiring actresses, including future icons such as Michelle Yeoh and Zhang Ziyi, as well as influencing the portrayal of female assassins seeking revenge in films such as Kill Bill (2003).


Chen Pei-pei Crouching Tiger Hidden Dragon

Cheng’s role as Jade Fox in “Crouching Tiger, Hidden Dragon” cemented her legacy as a leading figure in martial arts movies. Image via All Powers Explained.


After a lull in acting and having divorced her Taiwanese husband Yuan Wentung in 1987, Cheng became bankrupt and returned to Hong Kong during the 1990s to relaunch her career — demonstrating her sheer strength and determination to succeed. Later, through her supporting role as the fierce assassin Jade Fox in Ang Lee’s award-winning hit Crouching Tiger, Hidden Dragon (2000), Cheng reached even wider international fame. Her commanding performance earned her the Best Supporting Actress award at the Hong Kong Film Awards in 2001, further cementing her legacy as a leading figure in martial arts movies.


Even today, the legendary actress’s iconic performances continue to inspire filmmakers and actresses alike. Her indelible mark on the industry has challenged stereotypes and redefined what is possible for women in martial arts cinema. As the “Queen of Swords,” Cheng’s trailblazing path has left an enduring legacy that resonates with audiences around the world.


Banner image via Film at Lincoln Center.

Climbing Meets Art in Yangshuo

Rock climbing has become a popular sport in recent years, and it took the world stage for the first time as an Olympic event at the delayed 2020 Tokyo Games. The Olympic rock climbing competition included three disciplines: speed climbing, bouldering, and lead climbing. But outdoor rock climbing offers a different sense of adventure from the climbing on artificial walls and plastic holds seen at the Olympics. While China has a healthy presence at international climbing competitions, if you’re in the country and want to try climbing outdoors, where should you head? For many rock climbers, the answer is Yangshuo, a small county close to the city of Guilin.


Hiking to Bamboo Cave Crag. Photo via Team Sustainable Yangshuo.



Thanks to its karst mountain landscapes (even featured on the 20 RMB bill!), Yangshuo has developed into an outdoor climbing destination over the past three decades. In 1990, American climber Todd Skinner established the first sport climbing route in China, Proud Sky (5.12b on the Yosemite Decimal System, a widely used climbing grading system), at Moon Hill in Yangshuo, marking the beginning of modern climbing in the country.


Eight years later, Huang Chao, the Chinese owner of a Western restaurant on Yangshuo’s busiest commercial street, was exposed to climbing culture through his international customers. Huang Chao would go on to develop many more crags in and around Yangshuo, leading an increasing number of locals to start rock climbing.


After decades of growth, Yangshuo now has over 70 crags and 1100 climbing routes. A wide range of routes in different styles has attracted climbers of all levels from around the world. Climbers in Yangshuo can be broadly categorized into three groups: tourists, regulars, and professional climbers.


Tourists, naturally, are outdoor enthusiasts who visit Yangshuo to climb, ranging from beginners trying the sport for the first time to intermediate climbers who own some basic gear. Regulars are dedicated climbers who can climb grades above 5.10 (a benchmark for moderate difficulty). They visit Yangshuo periodically, own their ropes, and are adept at lead climbing (climbing a route without a rope already placed at the top) and placing protection. Professional climbers, meanwhile, reside year-round in Yangshuo, often working as climbing or outdoor guides. They possess advanced climbing skills, able to climb routes ranging from 5.12 to 5.14.


Climber Yangshuo

Climbing in Yangshuo. Photo via Team Sustainable Yangshuo.


The latter two groups are most active in the climbing community and are often referred to as yányǒu (岩友, climbing friends). Some yányǒu are Yangshuo locals; others moved there from out of town, bringing their life experiences with them and enriching the area with their love for art, culture, sports, and nature.


This growing community has gained the attention of the global climbing community. Last June, The North Face held its annual Mountain Festival in Yangshuo, providing guests the opportunity to explore the area through outdoor activities such as canoeing, camping, and, of course, climbing. Canadian outdoor brand Arc’teryx also led an edition of its Academy workshop series in Yangshuo last October, hosting talks on topics ranging from climbing techniques to opening new routes.


Yet these brands also seem to be treating Yangshuo like tourists themselves, merely landing for events and then leaving. After a burst of activity and attention, what’s left for Yangshuo?


When it comes to making a last impact on Yangshuo, it’s up to the yányǒu then. And yányǒu status isn’t limited by nationality: American Andrew Hedesh has lived in China and work as an outdoor guide for more than a decade. His guidebook, China: Yangshuo Rock, is essential reading for newcomers to the climbing area.


Now, thanks to community groups like Team Sustainable Yangshuo (永续阳朔小组), Yangshuo’s rock climbing culture is even spreading beyond the county. Last year, inspired by a performance of the extreme sport artist group The Flying Frenchies, Flupke (Xiaojuan 小卷), a Yangshuo local and owner of Demo Bistro, conceived the idea of suspending a rock band from a cliff.


This was the beginning of Wildass Yangshuo (阳朔野崽). Julian Yang, an interactive installation artist and engineer, proposed a guiding principle: “Materials must be from Yangshuo and the fabrication process must take place there. All participants of the filming and executing team must be from the local Yangshuo community too.” This approach ensured that both the making-of the project and its final outcome fostered exchange between different social circles in the local community and made a positive contribution to Yangshuo’s economy. Gradually, more yányǒu embraced the concept, contributing their music, resources, and climbing expertise to Wildass Yangshuo.


Performance Sketch

Design sketch of the hanging band set up. Image via Julian Yang.


The hanging band performance took place last December in Yangshuo’s Bamboo Cave crag, drawing an audience ranging from other climbers to local administrative personnel. Team Sustainable Yangshuo later raised money amongst themselves to screen footage of the performance in New York’s Times Square, sharing Yangshuo’s climbing culture on an international platform.


Inspired by the success of the project, Team Sustainable Yangshuo plans to continue using rock climbing as a medium to enhance Yangshuo’s culture and ecology, through art residencies, educational projects, and sustainable commerce. Soon, they’ll be assisting a social activist with a spinal cord injury by developing a fully supported rock climbing program for people with disabilities, the first of its kind in China. The project aims to raise awareness about the living conditions and limited access to sports that people with disabilities face.


Band Performance

The hanging band performance. Photo via Wildass Yangshuo.


In the meantime, while Yangshuo is fortunate to welcome guests from around the world to share its abundant natural resources, maintaining a balance between local residents and visitors remains crucial.

Since its establishment in 2017, the grassroots organization Yangshuo Climbing Association (YSCA) has served as a bridge between the local government, villagers, and climbing enthusiasts. They have facilitated communication between villagers and climbers, for example mediating conflicts related to climbing routes next to ancestral tombs. Their efforts have brought benefits to both individual climbers and community groups like Team Sustainable Yangshuo.


However, several practical issues still need to be addressed, including transparency in qualification standards for climbing trainers and inadequate wages. As urban residents who may not have the opportunity to contribute in person except on holiday, what can we do for the sustainable development of this outdoor destination? According to Julian Yang, shifting away from a litterbug mindset — leaving behind garbage in nature and assuming professionals will remove it — and instead understanding Leave No Trace principles (LNT) would already be a significant step forward.


For further information on Team Sustainable Yangshuo, follow Wildass Yangshuo 阳朔野崽 on Xiaohongshu or @thisis_julianyang on Instagram.


Banner image by Haedi Yue.

Changle Road, a Bustling Shanghai Bar Street, Faces Demolition

Changle Road, an important address for Shanghai nightlife, is facing major changes, with demolition set to commence in the area at the end of July. Long a key site for youth culture in the city, the street rose to an even higher level of popularity in the immediate post-Covid era, as revellers flocked to tiny bars where the party often spilled on to the street.


However, due to an urban renewal initiative, demolition of old Longtang (laneway) architecture along Changle Road is set to begin, with 80% of residents already having already signed relocation agreements. The demolition plan targets a section of the road packed with bars, stretching from the Shanghai Post Hospital on the West to Xiangyang North Road on the East. Close to Shanghai nightlife staples like ALL Club, the strip has been a magnet for locals and out-of-towners alike.


Government slogans encouraging residents to relocate are posted on the entrance of nearby alleyways.


Changle Road also has a strong pedigree in Shanghai’s fashion scene. Trendsetting establishments like ACU and INNERSECT (both linked to Edison Chen), the first Vans store in China, renowned skate shop Fly, and Beijing-founded tattoo parlor Hengci, all once operated on Changle Road. Emblematic of its more recent era was the bar 624changle & On The Road Store, established in 2014. The two halves of the business have since separated, with On The Road Store (公路商店), taking the streetside drinking concept around the country as a chain.



x624 Changle Bar has already moved to South Shaanxi Road, one of the collective relocation addresses for the shops on Changle Road.

624changle has already moved to South Shaanxi Road, one key destination for relocated Changle Road businesses.


Beyond its bars, Changle Road’s street culture is a tapestry of contrasts, where old and new collide. As businesses relocate to nearby lanes and alleys, there is anticipation for a rejuvenated Changle Road and the revitalization of adjacent areas. New York streetwear brand Supreme recently opened a massive store just beyond the area slated for demolitions, suggesting that Changle Road will remain relevant for youth culture, albeit perhaps in more formal manner than before. The future of this once-bustling thoroughfare remains uncertain, but its legacy as a cornerstone of Shanghai’s nightlife is sure to endure in the city’s collective memory.


All photos by Mia Fan.

Documentary “Surf Nation” Shares the Unique Journey of China’s Surf Team

Back in 2016 when the IOC announced that surfing would become an Olympic sport, there was barely a surf culture in China, let alone a national surfing team. Fast forward to 2024, and China will be sending Yang Siqi, its first ever Olympic surfer, to Teahupo’o, Tahiti to compete in the Paris Olympic Games.


Yang and other young surfers are part of China’s National Surf Academy, where the government is training its first generation of surfers in hopes of securing another Olympic gold. The documentary Surf Nation, which premiered last Thursday on World Channel, follows two young surfers as they navigate a new Chinese sport and the life that comes alongside it.


This clash between the free-spirited, hair in the wind, without a care in the world lifestyle typically associated with surfing, and the regimented nature of Chinese national sports teams lie at the heart of this film. The security and structure provided by national academies is a refuge for young athletes seeking a future in sports, yet in this pursuit of Olympic gold they must also confront their private ambitions for freedom and bigger waves.


This tension also makes for gripping coming-of-age stories about two surfers in particular, Alex and Lolo. Filming over the span of two years, directors Jessica Q. Chen and Jeremiah M. Bogert, Jr. followed the surfers’ lives as they unfolded against the backdrop of mounting pressure.


Alex Surfer

Alex. Image courtesy Surf Nation.


Alex is the best surfer in China, who dreams of competing amongst the world’s best surfers at the World Surf League Championship Tour. He is known for his confidence and rebellious streak, and sometimes pushes against the national training camps and their leaders. For one, Alex has no interest in the Olympics, a goal that officials are intent on pushing the surfers to focus on.


Lolo is in search of a different, non-traditional life. She gave up going to university or having an office job, and joined the national team for the surf lifestyle — which she eventually abandoned too. In the film, she debates whether or not to marry her controlling fiancé, showing an intimate side to her pursuit of freedom.


Lolo surfer

Lolo. Image courtesy Surf Nation.


While the film is about surfing in China, it’s ultimately a story about young people in China finding the courage to chase after what matters to them, and forging their own paths against the tracks laid out by previous generations.


Surf Nation is now available to view on World Channel and Youtube.


Banner image courtesy Surf Nation.

Actor Bai Jingting’s Mini Cookies Spark Online Outrage

In June, actor Bai Jingting opened up his first cafe, GoodBai Cafe, in Shanghai, following the successful launch of his clothing brand GoodBai, which has a store on the same street. After waiting nearly 2 hours in line, 10 guests are let into the cafe at a time, where they may enjoy coffee for up to 48 RMB and pastries starting at 18 RMB. For reference, a cup of coffee from Chinese chain Luckin Coffee goes for between 13 and 20 RMB. For many of Bai’s fans, this experience is totally worth it. Café-goers in Shanghai have posted their reviews on Xiaohongshu: for some, every corner of the cafe reflects Bai’s vision and aesthetics; and a few lucky visitors are even graced with celebrity sightings, the ultimate fangirl dream. However, after these reviews were posted online, some other social media users became outraged that Bai is charging 21 RMB for “Big Goodees Cookies”: two button-sized sugar cookies. One netizen commented: “These look like cookies for my hamster, except for that price, I can buy 30 cookies for my hamster.” Bai Jingting wearing sunglasses
Bai Jingting has been accused of “harvesting leeks.” Image via models.com.
Is Bai exploiting his fans by “harvesting leeks”? Many celebrities have been accused of “harvesting leeks” (割韭菜, gē jiǔcài), a phrase that describes consumers and fans, especially from younger generations, getting taken advantage of and tricked into bad deals. Two years ago, pop idol and actress Ouyang Nana was slammed online for upselling her clothing line, charging 148 RMB to 988 RMB for bathrobes, pajamas, and socks. Actor Wang Hedi also sold overpriced sneakers for 1023 RMB and toast for 88 RMB. Despite the high prices and criticism online, these celebrity merch products are also consistently sold out and Bai’s cookies are no different. Fans argue that the prices are clearly labeled on the products, and they are willing to pay the premium for the celebrity brand name. Others believe celebrities are unfairly jacking up prices, leading impressionable fans into irresponsible spending behaviors and extreme “star chasing.” Oh celebrities, they’re just like us — or, when it comes to making a profit, are they? Banner image via Xiaohongshu.