Feature image of Yin: Sci-Fi Flavored Future-Rock from Shanghai’s Duck Fight Goose

Yin: Sci-Fi Flavored Future-Rock from Shanghai’s Duck Fight Goose

2 mins read

2 mins read

Feature image of Yin: Sci-Fi Flavored Future-Rock from Shanghai’s Duck Fight Goose

Yin (, “music”) is a weekly Radii feature that looks at Chinese songs spanning classical to folk to modern experimental, and everything in between. Drop us a line if you have a suggestion.

Revisiting one of my favorite China albums of 2016 for this week’s selection: CLVB ZVKVNFT by Shanghai band Duck Fight Goose. Kind of vibes with Radii’s content this week on a number of levels. For one, it’s a concept album with a thoroughly Chinese take on sci-fi, with a backstory partially set in a dystopian future Foxconn factory where six-armed hybrid creatures churn out smartphones and other gadgets at astonishing rates.

For another, its main character sounds like something straight out of a Sinofuturist creature feature — an alien cyborg that alights with a swarm of nano-zombies in a future version of Shanghai and proceeds on a hero’s quest to find the eponymous CLVB ZVKVNFT, where all the beings, man and machine, can dance together in harmony.

In a piece I wrote last year for Sixth Tone, I asked Duck Fight Goose’s core members Han Han (vocals, synthesizers) and 33 (bass) to put their music into the context of their interest in technology, and their home city:

One of the key catalysts of the band’s evolution between albums has been the city of Shanghai itself. Shanghai’s rock scene is dwarfed by that of the capital, despite the latter’s venue closures and other obstacles in recent years. It does have, however, China’s largest and most progressive electronic music scene, ranging from niche, beat-less soundscape performances all the way to mainstream dance music megaclubs. Since 2011 Han has immersed himself in the world of electronic music production, frequently meeting with other artists to exchange ideas at underground Shanghai club The Shelter.

Wu Shanmin [33], the bassist of Duck Fight Goose, says it is technology that stokes the band’s creative fire. “We think that an artist should be able to create brand-new things,” she says. “Technology is basically creating new things that then enable people to create new things themselves. That’s what I want my art to be.”

Stream CLVB ZVKVNFT in full right here. It was released, appropriately enough, by D Force Records, the offline music publishing arm of Chinese social network Douban.

In fact, D Force has just released its latest dispatch in the form of standalone EPs for Han Han and 33’s solo projects. Here are the links for those:

Gooooose – they (Han Han solo)

33EMYBW – Medusa (33 solo)

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Feature image of Yin: Sci-Fi Flavored Future-Rock from Shanghai’s Duck Fight Goose

Yin: Sci-Fi Flavored Future-Rock from Shanghai’s Duck Fight Goose

2 mins read

Yin (, “music”) is a weekly Radii feature that looks at Chinese songs spanning classical to folk to modern experimental, and everything in between. Drop us a line if you have a suggestion.

Revisiting one of my favorite China albums of 2016 for this week’s selection: CLVB ZVKVNFT by Shanghai band Duck Fight Goose. Kind of vibes with Radii’s content this week on a number of levels. For one, it’s a concept album with a thoroughly Chinese take on sci-fi, with a backstory partially set in a dystopian future Foxconn factory where six-armed hybrid creatures churn out smartphones and other gadgets at astonishing rates.

For another, its main character sounds like something straight out of a Sinofuturist creature feature — an alien cyborg that alights with a swarm of nano-zombies in a future version of Shanghai and proceeds on a hero’s quest to find the eponymous CLVB ZVKVNFT, where all the beings, man and machine, can dance together in harmony.

In a piece I wrote last year for Sixth Tone, I asked Duck Fight Goose’s core members Han Han (vocals, synthesizers) and 33 (bass) to put their music into the context of their interest in technology, and their home city:

One of the key catalysts of the band’s evolution between albums has been the city of Shanghai itself. Shanghai’s rock scene is dwarfed by that of the capital, despite the latter’s venue closures and other obstacles in recent years. It does have, however, China’s largest and most progressive electronic music scene, ranging from niche, beat-less soundscape performances all the way to mainstream dance music megaclubs. Since 2011 Han has immersed himself in the world of electronic music production, frequently meeting with other artists to exchange ideas at underground Shanghai club The Shelter.

Wu Shanmin [33], the bassist of Duck Fight Goose, says it is technology that stokes the band’s creative fire. “We think that an artist should be able to create brand-new things,” she says. “Technology is basically creating new things that then enable people to create new things themselves. That’s what I want my art to be.”

Stream CLVB ZVKVNFT in full right here. It was released, appropriately enough, by D Force Records, the offline music publishing arm of Chinese social network Douban.

In fact, D Force has just released its latest dispatch in the form of standalone EPs for Han Han and 33’s solo projects. Here are the links for those:

Gooooose – they (Han Han solo)

33EMYBW – Medusa (33 solo)

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Feature image of Yin: Sci-Fi Flavored Future-Rock from Shanghai’s Duck Fight Goose

Yin: Sci-Fi Flavored Future-Rock from Shanghai’s Duck Fight Goose

2 mins read

2 mins read

Feature image of Yin: Sci-Fi Flavored Future-Rock from Shanghai’s Duck Fight Goose

Yin (, “music”) is a weekly Radii feature that looks at Chinese songs spanning classical to folk to modern experimental, and everything in between. Drop us a line if you have a suggestion.

Revisiting one of my favorite China albums of 2016 for this week’s selection: CLVB ZVKVNFT by Shanghai band Duck Fight Goose. Kind of vibes with Radii’s content this week on a number of levels. For one, it’s a concept album with a thoroughly Chinese take on sci-fi, with a backstory partially set in a dystopian future Foxconn factory where six-armed hybrid creatures churn out smartphones and other gadgets at astonishing rates.

For another, its main character sounds like something straight out of a Sinofuturist creature feature — an alien cyborg that alights with a swarm of nano-zombies in a future version of Shanghai and proceeds on a hero’s quest to find the eponymous CLVB ZVKVNFT, where all the beings, man and machine, can dance together in harmony.

In a piece I wrote last year for Sixth Tone, I asked Duck Fight Goose’s core members Han Han (vocals, synthesizers) and 33 (bass) to put their music into the context of their interest in technology, and their home city:

One of the key catalysts of the band’s evolution between albums has been the city of Shanghai itself. Shanghai’s rock scene is dwarfed by that of the capital, despite the latter’s venue closures and other obstacles in recent years. It does have, however, China’s largest and most progressive electronic music scene, ranging from niche, beat-less soundscape performances all the way to mainstream dance music megaclubs. Since 2011 Han has immersed himself in the world of electronic music production, frequently meeting with other artists to exchange ideas at underground Shanghai club The Shelter.

Wu Shanmin [33], the bassist of Duck Fight Goose, says it is technology that stokes the band’s creative fire. “We think that an artist should be able to create brand-new things,” she says. “Technology is basically creating new things that then enable people to create new things themselves. That’s what I want my art to be.”

Stream CLVB ZVKVNFT in full right here. It was released, appropriately enough, by D Force Records, the offline music publishing arm of Chinese social network Douban.

In fact, D Force has just released its latest dispatch in the form of standalone EPs for Han Han and 33’s solo projects. Here are the links for those:

Gooooose – they (Han Han solo)

33EMYBW – Medusa (33 solo)

NEWSLETTER

Get weekly top picks and exclusive, newsletter only content delivered straight to you inbox.

NEWSLETTER

Get weekly top picks and exclusive, newsletter only content delivered straight to you inbox.

RADII NEWSLETTER

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Feature image of Yin: Sci-Fi Flavored Future-Rock from Shanghai’s Duck Fight Goose

Yin: Sci-Fi Flavored Future-Rock from Shanghai’s Duck Fight Goose

2 mins read

Yin (, “music”) is a weekly Radii feature that looks at Chinese songs spanning classical to folk to modern experimental, and everything in between. Drop us a line if you have a suggestion.

Revisiting one of my favorite China albums of 2016 for this week’s selection: CLVB ZVKVNFT by Shanghai band Duck Fight Goose. Kind of vibes with Radii’s content this week on a number of levels. For one, it’s a concept album with a thoroughly Chinese take on sci-fi, with a backstory partially set in a dystopian future Foxconn factory where six-armed hybrid creatures churn out smartphones and other gadgets at astonishing rates.

For another, its main character sounds like something straight out of a Sinofuturist creature feature — an alien cyborg that alights with a swarm of nano-zombies in a future version of Shanghai and proceeds on a hero’s quest to find the eponymous CLVB ZVKVNFT, where all the beings, man and machine, can dance together in harmony.

In a piece I wrote last year for Sixth Tone, I asked Duck Fight Goose’s core members Han Han (vocals, synthesizers) and 33 (bass) to put their music into the context of their interest in technology, and their home city:

One of the key catalysts of the band’s evolution between albums has been the city of Shanghai itself. Shanghai’s rock scene is dwarfed by that of the capital, despite the latter’s venue closures and other obstacles in recent years. It does have, however, China’s largest and most progressive electronic music scene, ranging from niche, beat-less soundscape performances all the way to mainstream dance music megaclubs. Since 2011 Han has immersed himself in the world of electronic music production, frequently meeting with other artists to exchange ideas at underground Shanghai club The Shelter.

Wu Shanmin [33], the bassist of Duck Fight Goose, says it is technology that stokes the band’s creative fire. “We think that an artist should be able to create brand-new things,” she says. “Technology is basically creating new things that then enable people to create new things themselves. That’s what I want my art to be.”

Stream CLVB ZVKVNFT in full right here. It was released, appropriately enough, by D Force Records, the offline music publishing arm of Chinese social network Douban.

In fact, D Force has just released its latest dispatch in the form of standalone EPs for Han Han and 33’s solo projects. Here are the links for those:

Gooooose – they (Han Han solo)

33EMYBW – Medusa (33 solo)

NEWSLETTER

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