Chinese People Sound Off on Roe v. Wade, Reproductive Freedom

On May 3, Politico revealed a leaked draft opinion that divulged the U.S. Supreme Court’s plans to overturn Roe v. Wade, a landmark decision guaranteeing legal abortion in America. The news set off a tidal wave of worldwide media coverage, debates, and discussions.


The article has also rippled to the opposite side of the Pacific.


An equally contentious topic in China, reproductive freedom has been ruffling more feathers in recent years. An increasing number of women in China are openly reluctant to have kids, and for justifiable reasons: In addition to pregnancy discrimination in the workplace, the cost of raising a child in China is growing exponentially.


Given that China has one of the fastest-growing aging populations globally, officials have been trying to promote marriage and childbirth — even going so far as advocating for university students to start families.


With a decision from the U.S. Supreme Court on Roe v. Wade seemingly just over the horizon, RADII speaks to six Chinese people of varying ages and backgrounds to weigh in on Roe v. Wade and reproductive freedom.

Reactions to the End of Roe v. Wade

More than anything, the Chinese people we spoke with have been confounded by the commotion surrounding Roe v. Wade.


Albert Wu, a 25-year-old student from Shenzhen currently living in Australia, cannot understand the logic behind the ruling.


“I have a question, even though it sounds dumb: Why wouldn’t they [the Supreme Court] allow legal abortion?” asks Wu.


“If the ruling is meant to protect women, why not just create more laws to do so?” added the vicenarian. 


I'm With Her

Image by Gayatri Malhotra/Unsplash


Cheryl Liu, a 26-year-old Ph.D. student from Guangzhou, finds the potential demise of the landmark decision disheartening.


The former international student in the U.S. says, “I think it’s sad that something women fought for years ago can be taken away so easily.”


According to Liu, the root of the problem lies in the division of social classes: “Many pro-life women, such as Justice Amy Coney Barrett, don’t fight for women’s reproductive freedom. This shows that even though they are all women, some upper-class women can’t understand what having the right to choose means to women of other classes.”


Liu stresses that a woman who has accidentally gotten pregnant might be unable to care for herself and her child simultaneously. Therefore, taking away her abortion rights almost guarantees a decreased quality of life for both.


“This is a very multifaceted issue — it goes beyond sex, social class, and politics. More often than not, views on abortion are determined by a person’s privilege, bias, and political party,” adds Liu.

Abortion in Chinese Culture

Born and raised in the South China megacity of Guangzhou, Liu links abortion laws in China with population planning policies.


“When I was studying in China, abortion was tied to the old one-child policy and premarital pregnancy. And it wasn’t restricted. Looking back, I’m not sure the true reasons for that level of freedom were necessarily good,” she admits.


Although abortion is accessible in China, the topic is still largely taboo.


RADII’s 24-year-old graphic designer, Zhuohan Shao, has witnessed sexist and discriminatory attitudes in China towards abortion.


“When I was in middle school, two classmates had sex, and she got pregnant. Unsurprisingly, the girl’s parents brought her to a hospital for an abortion. She was eventually expelled and studied abroad.”


He adds: “I had two thoughts at the time: Firstly, why can’t a girl who has had an abortion continue her education? It felt as if her reputation had been permanently stained. Secondly, why was her partner merely punished but not expelled?”


Shao’s sentiments are echoed by 40-year-old Chinese Singaporean animator John D (alias): “Some people close to me have gone through it. From what I’ve been told, the procedure is traumatic and induces a sense of shame and guilt in patients.”


Kai Wang (alias), a 32-year-old manager working in the fashion industry in Shenzhen, however, feels abortion should not be considered a right. Instead, he hopes there are policies in place to regulate the practice.


Specifically, Wang believes abortion is a moral issue. In his view, if a woman gets pregnant accidentally and has the financial means to raise the child, getting an abortion would be immoral.

Nonetheless, Wang concedes that if it proves financially challenging for the woman to raise the child, it is acceptable to have an abortion.


In addition, Wang argues for the importance of regulating abortion by pointing out the once-prevalent issue of sex-selective abortions driven by the preference for a son in China. The sexist practice even led the Chinese government to ban revealing a fetus’ gender in the country except for medical reasons.


“In China, some people still choose to get an abortion if they are having a girl because they want to have a son. Even though fewer people are doing this, this kind of sexist practice still exists,” Wang tells us, “So in China, it is important to have some sort of regulation.”

Reproductive Freedom in America vs. China

Raised in Taiwan and America but based in Shanghai for the past 15 years, 46-year-old housewife Jeanne Chow says, “Roe v. Wade is not only a milestone case for women in the United States, but also serves as a beacon for women’s rights around the world.”


Despite the case’s global relevance, Chow believes that China and America share few similarities regarding reproductive freedom.


“Both are large countries with diverse ethnic and cultural groups, religious beliefs, and drastically different political systems,” says Chow.


Liu, on the other hand, has sussed out one perceived similarity in both countries: “On a surface level, abortion policies in China and America may look very different — China allows it while America restricts it. But one thing is for sure: Both are not implementing their respective policies out of a genuine concern for women’s rights.”

Building Understanding and Moving Forward

One of the most polarizing issues in America, the right to abortion has split the nation into two factions. Many feel that it is impossible for both sides to come to an agreement.


“Fundamentally, they will never come to an understanding. However, it is important that safe abortion methods are developed and funded,” says John D.


He continues, “In Asia, abortion patients harbor a lot of unresolved, unnecessary trauma that needs to be openly worked through; they need to understand that terminating a pregnancy does not equate to infanticide.”


Image by Aiden Frazier/Unsplash

Image by Aiden Frazier/Unsplash


Chow, too, doubts that the two groups will ever come to a consensus but underscores the importance of lawmakers considering the real people who are affected.


“There is no definite right or wrong in this issue, and maximizing salvation for those we truly love and care about should be the principle drive behind our governing system,” she says.


Liu believes that a willingness to learn and to have civil and constructive conversations would be a good starting point for both parties to build a better understanding.


“It’s perfectly fine if you are pro-life, but you can’t force your belief on others. For instance, pro-choice voters wouldn’t tell everyone to get an abortion,” says the Ph.D. student.


Cover image via Zhuohan Shao


Backstreet Boys Join Westlife for Online Concert on Super-app WeChat

Chinese fans of ’90s and aughts pop music can experience the magic of the Backstreet Boys’ 2022 DNA World Tour, thanks to a livestreamed concert — the first in the group’s history — on the super-app WeChat. As a bonus, the Irish boy band Westlife will also appear at the event.


Scheduled for Friday, June 24 at 8 PM China time, the concert is produced by East Goes Global and made possible via a partnership with WeChat.


More than 40 million viewers are expected to tune into the concert. Not only has a related hashtag on the microblogging platform Weibo garnered almost 37 million views, but in just 24 hours, the event’s teaser was liked 82,000 times on WeChat.


Poster for Backstreet Boys Online Performance

Poster for the online performance


In December 2021, East Goes Global was also responsible for organizing Westlife’s first online concert on WeChat, which was a massive success, to say the least.


For most Millennials and Zoomers in China who were introduced to the Backstreet Boys and Westlife by their school teachers, both bands have accompanied them throughout their youth.


“OMG, Backstreet + Westlife! I’m wide awake upon hearing this news,” gushed a fan on WeChat.


“Two gods performing on the same stage? Do I deserve to watch this? I must have saved the planet in my last life,” reads another fan’s hyperbolic comment.


Westlife's Wechat concert

If you missed Westlife’s WeChat concert in December 2021, here’s your second chance to see them live. Image courtesy of Andrew Spalter


Founded by Andrew Spalter, East Goes Global is making a splash in the entertainment industry by connecting big-name brands, celebrities, athletes, and entertainers — such as Will Smith, Jessie J, and John Legend — with the Chinese market.


As the tour manager for Jessie J when she competed (and won!) in the sixth season Chinese singing competition Singer, Spalter traveled to China for the first time in 2017. On this trip, Spalter discovered Chinese social media platforms and marketing strategies — an experience that inspired him to found East Goes Global.


“That’s what really opened my eyes to how disconnected we were from China as a whole,” he tells RADII.


Screenshot of Backstreet Boys' Online Concert

A screenshot of the teaser for the Backstreet Boys’ online concert


Given the strict Covid-19 travel restrictions in China, Spalter sees such partnerships as a means to fill a gap in the market by essentially bringing live concerts into people’s homes.


When asked what he expects from the event, Spalter shared, “I’m stoked. The Westlife event reached 28 million concurrent users, so I hope that this event will reach even more. We’ll see — fingers crossed.”


Cover image via Depositphotos

Van Ness Wu’s Two-Decade-Long Cross-Cultural Journey in Entertainment

Walks of Fame is a monthly column where we profile a famous individual from China (or of Chinese heritage) whom you should know more about. This month, get to know actor, dancer, singer, and fashion designer Van Ness Wu. 


Ask a Chinese millennial to name one iconic Taiwanese boy band that took China by storm in the early 2000s. The chances are high that they will mention the now-disbanded Flower Four, aka F4 boy band. 


Incredibly, more than 20 years since the band peaked, ex-band member Van Ness Wu is still making waves in the Chinese entertainment industry.

Born and raised in California, Wu used to work as a telemarketer, believe it or not. This was before he starred as Mei Zuo in the hit Taiwanese drama Meteor Garden in 2001.


Meteor Garden only marked the beginning of Wu’s journey in the entertainment industry — the actor, singer, dancer, and designer seems to have done it all at this point.


We had the pleasure of speaking to the 43-year-old about his journey to becoming a global pop star and his future plans for fans worldwide.

From L.A. to Taiwan

A born performer and a fan of various music genres such as hip hop and R&B, Wu started to dance at the age of 13. He names Michael Jackson and Michael ‘Boogaloo Shrimp’ Chambers (who starred in the 1984 film Breakin’) as stars who sparked his passion for dancing.


Taking in-person dance lessons from Taiwanese pop group L.A. Boyz further ignited Wu’s interest in the entertainment industry. “I would be on the sidelines, learning, and practicing a dance with them,” explains Wu.

According to the pop star, spending time with and learning from other celebrities prepared him for his future on stage: “It was always this frequency that I was on. It was always this wavelength of life that I was around in the environment.”


After turning 22, Wu felt that he was old enough to take care of himself. So he took a leap of faith and left his comfort zone by moving to Taiwan to jumpstart his music career. 


“I only had like, 1,200 bucks in one pocket. The other pocket was filled with ambitions and hopes,” shares Wu.


At first, he had a hard time promoting his work. Fortunately, he was scouted on the street and auditioned for Meteor Garden, the aforementioned Taiwanese drama that kick-started his career.

First Foray into Fame

After being cast as Mei Zuo, the heir to a wealthy family, in the hit drama Meteor Garden, Wu became one of China’s most talked-about stars almost overnight. In fact, Meteor Garden was the first-ever idol drama many Chinese Millennials recall watching.


Meteor Garden

Van Ness Wu (first from left) in a Meteor Garden poster. Image via Weibo


Before leaving for Taiwan, Wu had taken a few acting classes in L.A., but it was during filming for Meteor Garden that he truly developed his skills. “A lot of it was just learning along the way,” says Wu.


“It’s a great feeling to be a part of that history, to feel like something we did was really enjoyed by the audience. When we watch it, it takes us back to a point in our lives, a very staple moment of our own growth in life too.”

The rising star leveraged his newfound fame to launch his music career, releasing his first solo album, Body Will Sing, in 2002. His music debut proved successful — Body Will Sing was ranked as one of the ‘Ten Best Sales Releases, Mandarin’ at the 2002 IFPI Hong Kong Album Sales Award.


Since then, Wu has continued to make waves in the entertainment industry as a singer and an actor. In 2007, Wu released his second album V.DUBB before releasing his third, titled In Between, in 2008. 



The following year, in 2009, Wu starred in the popular Taiwanese drama Autumn’s Concerto, gaining further recognition for his acting skills.  

All-Round Artist

Juggling acting and performing might seem challenging for most, but for Wu, both complete him as an artist. He shares, “They [music and acting] gave me a creative outlet. Whenever I did too much film or TV, I wanted to do an album. And when I was doing too many albums, I wanted to do TV.”


Wu’s passion for his profession is unquestionable — he has remained an active figure in the industry for over two decades. 


In 2019, the star was cast as a team captain on the dance variety show Street Dance of China — an ideal role for someone with a lifelong passion for dance.

“It’s cool to see and be a part of that culture [dance] that I grew up in, to be a part of that history in California. And then to see it being developed and spread across all ages is really cool,” says Wu with regards to appearing on the dance variety show. 


In 2021, Wu then participated in the second season of Shine! Super Brothers, an all-male competition variety show featuring 21 artists from various industries. For Wu, who was competing as part of a boy group, it was like coming full circle since first finding fame with F4 in 2001.

“I enjoyed the show. It was very fun to be able to meet new people who have the same excitement about being on stage,” he shares.

A Voice for the Community

Like many others based in America at the start of the Covid-19 pandemic, Wu witnessed a rise in anti-Asian sentiment and hate crimes in 2020.


As someone who grew up in Orange County, California, he had experienced racism from a young age and been at the receiving end of racist slurs at school.


“I was too young to even understand it then. It wasn’t until later on, when I started understanding more and more, did I realize, oh my gosh, they were literally calling me that to my face for no reason,” shares Wu.


In fact, he transferred to a high school in Irvine, California, to be around a bigger Asian American population.


“So that’s why [anti-Asian racism] hits me so much. When Asian hate was growing more and more, it made me feel like I needed to say something,” says Wu.

Today, Wu is doing what he couldn’t as a kid: Using his influence to speak up against injustice. The star frequently addresses anti-Asian hate crimes on his social media accounts.


“If I’m talking about racism, if I’m talking about safety, if I’m talking about health for people, I don’t care what people say. Because I’m not doing anything malicious or mean or putting other people down — I’m making people aware of the conversation,” says Wu.


The 43-year-old has also used fashion design as a platform to further combat racism. In 2020, Wu launched the collection HateIsAVirus x Van Ness Wu in collaboration with streetwear brand Uprisers.

According to an interview with Uprisers, Wu was inspired by artworks from the 1882 Chinese Exclusion Act, but made his designs relevant to today’s social issues by putting a spin on the Statue of Liberty while addressing anti-Asian racism.

22 Years and Counting 

If you think Wu is worn out by the entertainment industry after being part of it for more than 20 years, you’re wrong.


In April 2022, Wu released his brand new English single ‘Chill’ before dropping another song, ‘It’s On,’ this month. Both songs serve to rally his fans and build hype for his upcoming English album that will be released this summer.

“The reason I moved back to Asia to pursue a career in entertainment was for this moment right here,” reads Wu’s caption under an Instagram post about ‘Chill.’ “I shot all these videos never knowing when the release dates were. But it didn’t matter. All that mattered was I was doing it.”


Being a do-er and an established figure in the industry, Wu has also thought about mentoring future generations. And he has a few tips to share: 


“I would start by asking, what are you doing all this for? Is it for the money? Is it for fame? What exactly is the goal? Really try to figure that out. It’s gonna take a long time.”


Another golden tidbit of advice from Wu is to stay true to your original inspiration or purpose instead of figuring things out along the way.


While many stars find it hard to hold on to their overnight fame, Wu has succeeded in being seen as a beloved character for over two decades. His secret? We would argue that it is his passion for his career, unwavering curiosity, and staying true to himself.  


Cover image via Van Ness Wu 

Tencent Joins Metaverse Race With New Extended Reality Department

On June 20, tech giant Tencent Holdings announced that it would be establishing a new extended reality (XR) department that will helm metaverse-related businesses.


Consisting of up to 300 employees (a large workforce given the recent cuts at tech companies), the department will work on both hardware and software.


The news has generated a decent amount of buzz on Chinese social media. Not only has the hashtag related to the general announcement gained more than 130 million views on Weibo, but another on the implications of this move has gained over 2.8 million views.


“Will Tencent be the one to succeed in building the metaverse?” reads one comment.


“Tencent is very good in the gaming sector; they might be good at developing the metaverse too,” wrote another netizen.


Pony Ma, the chairman and CEO of Tencent Holdings. Image via Depositphotos

Pony Ma, the chairman and CEO of Tencent Holdings. Image via Depositphotos


Extended reality is a loosely defined umbrella term that addresses computer-generated realities such as virtual and augmented reality (VR and AR).


Not much is known about the exact tasks the department will undertake, but sources have called it a “passion project” of Tencent’s founder and CEO, Pony Ma.


Many believe that Tencent plans to play an active role in the metaverse race and will compete with other Chinese companies such as Alibaba and ByteDance, which owns TikTok.


While it’s hard to predict what a comprehensive ‘Chinese Metaverse’ will look like, the concept has been a hot topic in both the private and public sectors, with the Shanghai government even including it in its five-year development plan.


Cover image via Weibo

Hot New Video Game ‘Diablo Immortal’ Postponed in China Because…

Diablo Immortal, which was supposed to be released in the Chinese mainland on June 23, has been withheld indefinitely — much to the disappointment of the gaming community. The last-minute delay, announced on June 19, was, in the developers’ words, “to optimize the gaming experience.”


But there is more to this story than meets the eye. Some have speculated that this claim is doubtful and that the game’s release has been suspended to punish Diablo’s development team for posting sensitive material alluding to China’s president on the microblogging platform Weibo back in May.

The account is currently banned from publishing new posts due to the “violation of relevant laws and regulations.”


“There is lots of speculation about the political reasons [for the postponement],” says a game marketing specialist who has requested anonymity. “When we reached out to them [NetEase Games], they were afraid of commenting [on the situation].”


Co-developed by NetEase Games and Blizzard Entertainment, the online multiplayer action role-playing game is the newest addition to the Diablo franchise. Since the first installment in the game series was released in 1997, Diablo has remained popular and economically successful. The game has seen multiple sequels and expansion packs.

Diablo Immortal, which was created specifically to be mobile-device-oriented, has been the talk of the town for months. As far back as January, the game’s mainland server had already reached 10 million pre-registered users. The game, which made its worldwide release on June 2, reaped 24 million USD in its first two weeks alone.


The suspension is a massive blow for NetEase Games, which has invested much time and effort in the highly anticipated project. According to Bloomberg, the Chinese gaming giant’s shares are currently at their lowest in the past nine months.


China’s gaming industry is just getting back on its feet after the lifting of a ban on new games. Nevertheless, the undecided fate of Diablo Immortal suggests that video game companies are still stumbling around in the dark in a strained system.


Cover image via Twitter

New Film by Avenue & Son Celebrates China’s Skateboarding Community

Are you curious about China’s thriving skateboarding scene? Do you find yourself wondering about the best skating spots in Shanghai? If you answered ‘yes’ to either of these questions, crack yourself a Pabst Blue Ribbon and buckle up: Structure, a new short film by Shanghai-based skating brand Avenue & Son, will hit social media platforms on June 26.


Movie poster for ‘Structure’ featuring Avenue & Son team members and Shanghai’s iconic skyline.

Movie poster for ‘Structure’ featuring Avenue & Son team members and Shanghai’s iconic skyline. Image via Instagram


Mainly shot in Shanghai with only a few sequences recorded in other Chinese cities, the short film took over a year to complete and is accessible to international skateboarding aficionados.


“The process was delayed by Covid-19, and we didn’t have much time to travel to other locations,” says Avenue & Son’s founder Boss (alias).


Nevertheless, Boss is confident that audiences will be riveted, as everything about Structure, from its music to shooting locations, fully embodies the collective’s style.


He tells RADII that the shooting process came naturally to the team: “We mostly shot in skating spots that we go to very often. We would go out skating and, meanwhile, take some videos.”

In addition to glimpses of some of Shanghai’s most iconic spots, including the Oriental Pearl Tower, Structure also captures hilarious interactions between the skaters and non-skateboarders, such as security guards and elderly Shanghainese locals.


Also, gear up for a hearty dose of spectacular skate tricks — and hold on to that Pabst!


Founded by Boss and three other professional skaters in 2014, Avenue & Son is a leading name in China’s skateboarding scene. Selling boards, trucks, wheels and stylish skateboarding apparel, the brand boasts a large following on the Chinese micro-blogging platform Weibo and sponsors a team of more than 20 professional skaters in China and abroad.


According to Boss, Avenue & Son was built for and around the skateboarding community and champions important values found in street culture.


In 2021, the label opened its first flagship store in the Shanghai district of Pudong. A Mecca for local skaters, the sleek brick-and-mortar store has even attracted the attention of international architecture publication ArchDaily.


The exterior of Avenue & Son’s flagship store in Pudong district, Shanghai. Image via Weibo

The exterior of Avenue & Son’s flagship store in Pudong district, Shanghai. Image via Weibo


According to Boss, skateboarding culture in China is still niche and primarily influenced by the U.S., but he hopes it will continue developing and reaching a greater audience.


Both a plus and a negative, China’s general indifference towards skateboarding accounts for a lax attitude towards skaters, who are often free to make the most of newly-built, concrete-filled urban spaces.


Cover image via Weibo