In a somber announcement, the China Academy of Art has confirmed the passing of renowned Tibetan filmmaker Pema Tseden. Chinese-language media has reported the cause of death as heart failure, although this is unconfirmed.
“Pema Tseden, a famous Tibetan director, screenwriter and professor at the Film School of the China Academy of Art, died in Tibet in the early hours of May 8 due to an acute illness,” the Academy wrote in a statement. “Due to the sudden incident, the school will work with Mr. Tseden’s family to deal with the follow-up matters. The relevant information will be announced in due course.”
Tseden is someone who RADII has covered extensively and enthusiastically. As an instrumental figure in the Tibetan New Wave movement, Tseden’s contributions to film and contemporary Tibetan culture can’t be overstated.
Born in 1969 in Amdo, a region in northeastern Tibet, Pema Tseden began his journey in the world of film in the early 2000s. He was the only one among his siblings to finish school, and he himself worked as a primary school teacher, then later as a civil servant and a novelist. When he eventually turned his attention to film, his impact was immense.
Over the years, he created an impressive body of work that pushed the boundaries of Tibetan cinema, offering a distinct voice in a media environment that is notoriously strict in its regulation. By playing ball with China’s official process, he put Tibetan films on the map with completely new audiences.
“For my first film, it couldn’t even enter the mainstream film market,” Tseden told RADII in 2020. “We just did some screenings in some big cities, and basically, it was broadcast on a movie channel.”
“There are still a lot of difficulties in the market because of the specific uniqueness of this subject matter, such as characters speaking Tibetan and stories about the lives of Tibetan people,” he continued. “This type of project, in a big commercial industry, will face many difficulties.”
His films, which often touched on themes of tradition, modernity, and the struggles of Tibetans in contemporary society, resonated with diverse crowds at film festivals around the world — his Jinpa even took home the award for Best Screenplay at the Venice Film Festival.
Tseden’s storytelling prowess made him a prominent figure in the world of East Asian cinema. Some of his most notable works include The Silent Holy Stones, Old Dog, and Balloon, all of which received widespread praise from audiences and critics alike. Through his films, Tseden painted an authentic and unflinching portrait of Tibetan life, opening a window for the world to witness complex experiences that went beyond the traditional image of Tibet.
One of the leading voices of the Tibetan New Wave movement, Tseden was instrumental in ushering in a new era of Tibetan cinema that prioritized authentic storytelling and artistic expression. This movement, which began in the early 2000s, saw a growing number of Tibetan filmmakers deviating from the stereotypical representations of Tibet often depicted in Chinese and Western media.
Instead, they embraced a more nuanced and grounded approach, highlighting their culture’s unique aspects while exploring universal themes of love, loss, and human connection.
In the wake of Tseden’s passing, the world has lost a visionary artist and a tireless advocate for the Tibetan people. However, his legacy will live on through the films he created and the coming generations of filmmakers who will continue to find inspiration in his work.
Fans can take comfort in knowing that Tseden was aware of his impact; he previously told RADII that “through years of effort, we actually have a better and perhaps more human understanding of Tibet.”
RADII believes in the importance of transparency in our changing world. AI-powered tools were used by our editors in the research or production of this post. All content is composed, fact-checked, and edited by our in-house editorial staff.
Cover photo by RADII
